Believing the Big Lies

There is a wonderful part at the end of Terry Pratchett’s the Hogfather, where Death explains to Susan that we believe in the Toothfairy, the Hogfather etc as practice, believing little lies before we can believe the big ones like Justice. You can look up the exact quote, but it’s on my mind today.

With everything that happened in the US yesterday,  with the UK in it’s 3rd national lockdown, a number of those big lies, things that rely on everyone quietly following the laid out accepted terms of engagement and pretending they are unassailable seem more fragile than ever to me.  

I don’t know what to do about any of this. I remain tucked in relative safety and my own privilege at home, working through the pandemic, and watching the fires (literal and figurative) burning all over the world, including here on my own Island, and hoping we all make it out still relatively whole.

It feels as though all I can do right now is reiterate the things I believe, so I want to take a moment to do that. We will return to Monster Blogs and books and cheerful matters soon, but first from us here at Fox Spirit and specifically your Aunty Fox:

Black lives matter
Trans rights are human rights
LQBTQ+ rights should be equal and unassailable 
Democracy, flawed as it is should be protected and there must be consequences for attacking it
Disabled lives matter
Own voices need to be heard
First people’s land and rights should be protected 

As far as our own world of fiction diverse and own voices are essential.

Just in case anyone was in any doubt where we stand. 
Be safe folks, as best you can.

Re-Release – The Mangrove Legacy by Kit Marlowe

We are delighted, this Christmas day to announce the re release of a book I reviewed some years ago. It’s always a delight to get a book I enjoyed back out into print/devices so other people can enjoy it, and this one is really fun.

The Mangrove Legacy by Kit Marlowe, with cover art by the fabulous S.L. Johnson closes out a 2020 that has been strange and challenging at best, for all of us. It has not however, lacked in good books to read.

Gothic castles, highwaymen, ghosts, pirates-and a surprising variety of cheeses!

The adventure begins in the middle of Lord Mangrove’s funeral cortege, when cousins Alice and Lizzie are spirited away by masked riders. Next they’re sold to nefarious seamen-then captured by pirates, until they’re lost at sea without so much as an improving book to read! The two intrepid young women discover romance, heartache, fisticuffs, and the vital importance of pockets.

Heartily recommended to anyone who has a sense of humour, even if comedy, gothic and romance are three genres they firmly shun under normal circumstances. ~ Un:Bound

Buy it here!

A free read for Christmas Eve

There will be more monsters blogs in the coming days, but we always like to do a free tale or two for you over Christmas itself, and this one has just the slightest whiff of gingerbread, so I thought it matched the mood nicely. Thanks to Alex for letting us put this up. 

The Gargoyle and the Witch

by Alex MacFadyen

Despite all signs to the contrary, Eileen was not a witch. She had come to the conclusion long ago that if magic did exist in the world it was not hers to wield, but she knew how she looked. Her spine had curved over time and her eyes had never been the same color, the left one the peat green of moss and the right a pale cloudy grey. She wore sensible black boots and a black cape with a pointy hood. At her age she always needed to keep out the cold, the sun, or the rain, and she’d found nothing could beat a good hooded cape.

Continue reading “A free read for Christmas Eve”

Monster Blog : Daryna Stremetska

Lost Adults of the 90s and Their Children

by Daryna Stremetska

I often feel that as a writer of speculative fiction I need to devote most of my attention to the future. But now that it’s been over 20 years since my childhood, it’s the past I’m inclined to examine closer, in the hope of revealing some patterns I wasn’t paying attention to or didn’t understand as a child.

A year after I was born, the Soviet Union collapsed. Ukraine finally got its independence but the socio-economical changes of those first years hit my parents’ generation hard. Entrepreneurship used to be illegal in Soviet Union, so when the factories and plants shut down and thousands of people lost their jobs, nobody knew what to do since there were no jobs available.

Before that, if you lived and worked in a city, you’d usually have some money — but there was nothing to spend it on because the economy was mainly geared towards flexing the Soviet Union’s muscles in the Cold War, not creating consumer goods. After 1991 everything turned upside down: more and more products became available as they were imported into the country. Yet most Ukrainian families didn’t even have the money to buy enough food, due to unemployment and the loss of their life’s savings after the Gosbank liquidation.

Those who had some plot of land to grow their own food, held on to it for dear life. A single vegetable garden often fed two to three families, and working on land was a common family activity, even if most of the adults still had their jobs.

For a long time affordable food stayed scarce. Can you imagine a crowded Black Friday line but with people waiting to buy something as basic as milk? I still remember the particular yellow color of the milk truck we would queue up to when I was about five — probably because everything else around it seemed to be various shades of grey, brown and dark green. People in the line looked tired, sad and — more often than not — angry.

Everyone blamed the government, both the new and the old one. Many felt that their politicians tricked them into poverty, so it was okay to trick the government back and do whatever was necessary to survive — even if it meant breaking the law. Barter economy, black markets and organized crime groups developed in the blink of an eye. As a child, I heard enough horror stories about human trafficking and illegal organ trade to last me a lifetime.

The overall situation seemed to be improving in 1997, when I first went to school. But I quickly started noticing that some of my schoolmates were much better off than me and children from my neighborhood. They all owned exciting and fancy stuff: colorful Polish notebooks, pencil cases with cartoon characters, rubbers that looked like flowers or fruit and had a sweet smell to them. They talked about their VHS tapes with Disney movies and their plans to visit Disneyland someday. I wasn’t even sure what Disneyland was.

But it wasn’t all as bright as my schoolmates made it look. While some of their parents managed to develop shaky small businesses or preserve some of their savings, others actually spent a lot of their time abroad, in Poland, Italy and other places, working hard at manual labor jobs. Some of them had PhDs, yet they worked as janitors or construction laborers, simply because those jobs paid good money compared to the few skilled jobs they could find in Ukraine. Later I learned that some of them had worked illegally, without obtaining any work permits or even visas, and each of their journeys to and from Ukraine was a life-threatening experience.

My Mom used to say, ‘Do you want me to be around or do you want shiny toys?’ I of course wanted her around, and so I never questioned her and my Dad’s choice to stay and work the jobs they could get in Ukraine. But I can’t blame those parents who went for it, even if it didn’t always work out well for them and their children.

So what could possibly go wrong for illegal workers apart from them being arrested and deported? Sometimes they never returned at all, either because somebody learned that they were coming back from “zarobitky” (their work abroad), and robbed, killed or enslaved them. It could also be that they met someone in a foreign country, decided to start a new family and never return to their Ukrainian family.

I also heard of stories where one of the parents managed to obtain a legal status and tried to convince his or her spouse and their children to reunite with them abroad. But the other spouse refused and so the child stayed separated forever from the one parent abroad, or at least until they came of age. Those tales of separation sounded most dreadful to me, because everybody did what they thought was best for their child, and yet the child still suffered.

And so when Margret, the editor of the anthology, asked me to choose a Ukrainian monster I wanted to write about, I remembered all those adults trying to provide for their families the best they could and yet failing to keep them together. But I was still looking for a fantasy creature who could fit into this kind of story. In our mythology, the nyavkas (or mavkas) appear as characters in tales about tragic love, and to me it always felt too limiting. That’s why I gave the Nyavka in my story “The Whitest Linen” a more complex background and her own revenge quest, so you could feel how scary and angry their kind could be.

Daryna Stremetska is a sci-fi and fantasy writer from Ukraine. Her debut short story “The Animals of Ure” appeared in Three Crows Magazine #1 and was also featured in Three Crows: Year One: Anthology of Weird Science Fiction and Fantasy. Being born in the 90s, Daryna’s childhood was mostly free of technology and full of uncertainties of the times when Ukraine was navigating the first years of its independence. Nowadays she divides her time between working in digital media for developers, running a booktube channel Beauty and Gloom, and writing short stories focused on how technology, pride and prejudices affect our lives.

 

Eurasian Monsters is Live

Which internet law is it that says, as soon as you apologise to everyone for something being delayed, it will resolve and all will be well? 

Timing is Nelson in this image.

Anyway, as I was posting the previous blog, I was emailed by the POD supplier to say they are happy with the files, so I have just approved Eurasian Monsters for publication and sale. It may take a few days to appear on all the amazons, but it is a go and I will be ordering author and artist copies tomorrow, after doing the numbers. 

Congratulations and thank you to everyone involved in this book specifically, and more widely the Monsters project. Margret was quite wonderfully recognised with the Starburst Brave New Words awards on Pacific Monsters, but it acknowledged, in my opinion, her dedication through out this series in bringing new, and own voices to the fore. Putting not only the monsters and myths of different continents in front of us as readers, but also as much as possible, the writers and artists. This series has taken a massive amount of work, dedication and perseverance from Margret, it’s an incredible feat. 

Eurasian Monsters is the last book in a seven year project, it has followed tradition by running to the 11th hour and beyond and not being straight forward, and I couldn’t be more proud of this book and the people involved in it.

As collections they barely scratch the surface of what each continent has to offer, but they have changed me as a reader. I more actively seek out the less familiar now in my reading. I have a new appreciation for how narrow our reading can become with no malice or intent, just through habit, and comfort and availability. I hope, that this series and all these stories will bring you something new and unexpected and for some of you maybe be the gateway to new worlds to explore.

 

Monster Blog : Karina Shainyan

While we endure the real life horror of processing delays and our book being out of our hands, we thought you’d enjoy another blog posts from one of our amazing contributors.


Bagatazh Pass

by Karina Shainyan

This is what my summer job looks like: I’m just a cook but I have a very different workplace. My kitchen, house and everything else that may be needed, are tied to the saddle behind my back. Because here, high up in the Altai Mountains, there are no roads and almost no people: there are only mountains and taiga. I’ve been working here every summer for over twenty years, and I still haven’t had enough.

This picture was taken at Bagatazh Pass, on the first day of a two-week trek. I have just told the tourists that mountain spirits live here. This place seems deserted but ancient Masters dwell here, and they are not human. For the time being, everyone thinks it’s just funny. But in the evening, when it gets dark and everyone gathers around the fire, and fog crawls down from the pass to the camp, the tourists will feel odd. To calm them down, I will tell them that the creatures that reside here don’t show themselves and never pay attention to people.

Almost never. Nearly.

 

Karina Shainyan grew up on the island Sahalin in the Far East of Russia, before she left to study psychology at Moscow State University. Karina has worked as a school psychologist, journalist, and editor. She says “I composed my first horror story when I was five, sitting in a closet with my best friend. It had such a strong effect on him that my parents scolded me for a long time. But I liked it anyway. As I got older, I started writing down my stories, and then it turned out that quite a few people wanted to climb into my closet and become scared”. Karina has written seven novels, including Долгий путь на Бимини (“Long way to Bimini”), Западня (“Trap”), and С ключом на шее (“With a key around my neck”). She’s also published about a hundred short stories, in magazines like Если (“If”) and Реальность фантастики (“Reality of fantastic”), in Кетополис (“Ketopolis”)—a mosaic novel composed of short stories by many authors, united by the pseudonym Грэй Ф. Грин (Gray F. Green)—and in anthologies such as Предчувствие Цветной волны (“Premonition of the Colored Wave”), Новые мифы мегаполиса (“New Myths of the Metropolis”), and Бомбы и бумеранги (“Bombs and Boomerangs”). Find out more about Karina at her Facebook page: https://www.facebook.com/karina.shainyan

 

Monsters Blogs : Editor’s Blog

The editor’s blog – Eurasian Monsters

The seventh and final volume of Fox Spirit Books of Monsters is out December 20th. The journey started in Europe in 2014 before it continued to Africa, Asia, the Pacific region, then the South, Central and North America. The series has been like a grand world tour exploring old myths, folklore and monster tales continent by continent. Sadly, most travels must have an end, and we close up our journey with a stop in Eurasia.

In Eurasian Monsters you’ll find tales of beasties and monstrous terror from the part of Eurasia stretching from the Chinese border (but not including China) to Eastern parts of Europe. I am proud to present you stories told by seventeen authors who are either from, have lived in, or have another strong connection to Russia, Ukraine, Georgia, Kazakhstan, Moldova, Poland, Hungary, and Bulgaria.

Not only do I wish to scare people with monsters they probably have never heard about. I also want the books to give the readers a realistic insight into the continents we cover—it is a journey after all. By returning to the place of origin, by giving authors who grew up with stories of these dark creatures a chance to write about them and own cultures, I hope these books give readers a glimpse of a contemporary, everyday life that is seldom seen by most of the West.

In Eurasian Monsters you’ll find tales about loneliness, living in a harsh climate, and everyday struggle—be it on the streets of Moscow or Varna, at a hospital in Elista, or in a nightclub in Tbilisi, in the forests of Poland, or in the Altai mountains. You’ll find stories with an underlying critic of aspects of society, be it poverty, illegal working or the life of immigrants, border conflicts, the relationship between east and west, or the tension between a traditional life and a modern society. 

I’m pleased to tell that we have as many as seven translated stories in this book, six are exclusively translated for this volume—from Russian, Ukrainian and Polish. I believe the book is much better when these tales are included—and I hope that the translators are just as happy as I am with the stories. The translations also make it possible for me to introduce you to authors that not many in the Western parts of the world know about, there’s even a few who has never been translated to English before.

So why monsters books? Fox Spirit Books of Monsters came out of a discussion seven years ago, where myself and a few others, including my co-editor of the two first monster volumes, Jo Thomas, demanded that something had to be done. We felt that most monsters are forgotten today, while the rest are watered down and overused in the popular media, and then only a few of them dominate the scene—vampires, werewolves, ghouls, demons, zombies—and they are almost all from Western popular culture.

In these books we wish to re-establish the monsters’ dark reputation, to give them a comeback. I want to drag them out from the darkest corners, to show how many great monsters we have from all over the world. And we want them visible in the middle of people’s homes, as coffee table books with lush art. Happily Adele Wearing at Fox Spirit Books liked our ideas, and the first book about Europe quickly developed into the world series of seven volumes, one each year.

I am sad to now see the end of my story hunt around the world. Reading these tales has taught me that every country and region in the world has wonderful dark and eerie stories about monsters or dark creatures, some of them maybe thousands of years old. You can find traces of them in old texts and even in old sea maps. Monster folklore is passed down from generation to generation, and these stories are important in traditions and customs. The tales serve not only as entertainment, but often teach a lesson as well. 

Some monsters are universal. You will always find the shapeshifters, the flesh-eating walking dead and the great monsters of the lakes and sea. But what is important to one culture might not be so vital to another. When I have edited the monster books I’ve tried to see if I can spot a specific pattern in each book, be it a main theme or the choice of monsters. I don’t know if it is a coincidence or a proof that there are geographical differences, but I do believe I’ve spotted some variations between the continents. To mention a few: Magic is one strong theme in monster narratives from Africa and Latin America, for instance, though it manifests in slightly different ways. The volumes focused on Africa and the Pacific region have more beasts, when compared to the other volumes in the series. These two volumes also have a multitude of dark creatures from the wilderness or oceans, or natural forces, such as hail storms or thunder storm. This is also the case in Eurasian Monsters, where especially the thick forests and the mountains are a natural habitat for several dark beings.

Quite many of the stories in Eurasian Monsters take place in the home, however, and wow, the bedroom and kitchen are some truly haunted places. There are also several stories about people and monsters forced to leave their homeland, and so origin gets a strong meaning, just like in the Africa volume. I feel however that this volume is closer to the feeling of home created in the Asian Monsters book—especially regarding those creatures hailing from the folklore of Slavic cultures—and the bond between the living and the dead, whether it is the soul of dead children or dead ancestors. 

I hope you will like this volume as much as I have while working on it.

The monster volumes have been such fun books to edit. I wish to give huge thanks to all the authors and artists. I would also like to extend a warm thank you to Adele Wearing at Fox Spirit Books for believing in this idea to begin with, and all the work she and her wonderful crew have done for so many years in creating such great books.

Margrét Helgadottir

 

7 Books with 7 covers

With the launch of our last Monsters cover, I though it would be nice to revisit the whole series of stunning desolate covers by Daniele Serra. 

We began in Europe, which really only covered Western European Monsters, something we decided to correct.

A lot of these stories were tied to the relationship with the land, in different ways. 

Across Asia, the relationship to family and ancestors was a recurring theme, 

Drop bears are real and will brook no debate on this. 

These ended up being split into two volumes as it doesn’t just cover the USA. They books have quite distinctly different personalities and the second volume was I think one of the highest levels of translations we have had.

Correcting the issue with European Monsters, picking up a huge area, and another one with a high number of translations. 

Eurasian Monsters Cover reveal

So here we are at the seventh and final volume in a huge project. You’ve travelled the world with us dipping a toe into many local tales and mythologies, seeing the continents through their monsters. We end our introduction to the worlds horrors with Eurasian Monsters and another of Daniele Serra’s amazing bleak landscapes on the cover.

A huge thanks to everyone who has been involved with these books, especially our cover artist, editor and typesetter. It’s been a huge project and I am very proud of everything that has been achieved in creating this series. Anyway, enough from me. I’ll run a post of all the covers in a few days, but for now I offer you, Eurasian Monsters.

 

Eurasian Monsters, coming soon.

Table of Contents – Eurasian Monsters

We are proud to reveal the table of contents for our last volume in Fox Spirit Books of Monsters: Eurasian Monsters!

The series, edited by Margrét Helgadóttir, has dark fiction and art about scary monsters and dark creatures from around the world, seven volumes between 2014 and 2020. The series is our grand world tour and we have so far been to Europe, Africa, Asia, the Pacific region, and Central, South and North America. 

A number of the stories have been award winners individually across the series, many more have picked up nominations, and our editor won the  very first Brave New Words award for her work on Pacific Monsters. These are beautiful books full of incredible tales and monstrous images.

It’s been a hell of journey so far. Sadly, all travels must have an end, and now this series will close with Eurasian Monsters. This December we bring you 17 dark tales from the vast region stretching from the Chinese border (but not including China) to Eastern parts of East Europe. We are proud to tell that we have stories from all over Russia, from Ukraine, Georgia, Kazakhstan, Moldova, Poland, Hungary, and Bulgaria.

We have as many as seven translated stories, six are translated exclusively for this book. You will not want to miss this – we have stories from authors who’s never been translated to English before!

 Table of Contents:

  1. K.A. Teryna: Morpheus
  2. Marta Magdalena Lasik: Daemons of their time
  3. Yevhen Lyr: Sleepless in Enerhodar
  4. Karina Shainyan: Bagatazh
  5. Vlad Arenev: Rapunzel
  6. Haralambi Markov: Nine Tongues Tell Of
  7. Maria Galina: The Visit
  8. Alex Shvartsman: A Thousand Cuts
  9. Daryna Stremetska: The Whitest Linen
  10. Shawn Basey: Lysa Hora
  11. Karolina Fedyk: Our Lady of Carrion Crows
  12. Bogi Takács: Veruska and the Lúdvérc
  13. Eldar Sattarov: Mountain Maid
  14. Kat Hutchson: The Housekeeper
  15. Natalia Osoianu: The Serpent
  16. Alexander Bachilo: This is Moscow, Old Man!
  17. Ekaterina Sedia: Sleeping Beauty of Elista

 

The stories will be illustrated by K. A. Teryna, Kieran Walsh, Elzbieta Glowacka, Nata Friden and Vincent Holland Keen.

Daniele Serra is once again providing cover art, which we will be revealing soon.

Editor is once again Margrét Helgadóttir.

Translation by Mike Olivson, Maksym Bakalov, Piotr Swietlik, and Alex Shvartsman