Fearless Genre Warriors -FREE!

The fabulous Jenny Barber contacted a whole den full of Skulk and pulled together a collection that spans all the Fox Spirit anthologies and collections published up to 1st November 2018 and what have we gone and done? Made it free!

It is available for under £3 on Amazon (the minimum they would allow), but keep an eye on Twitter and Facebook for the adverts with the passwords in during the run up to Christmas to grab it for nothing in convenient multi format zip files. 

Then just pop to our free fiction page, pop in the relevant password and download. 

If you are heading to Sledge.lit there is a password in the brochures here too. 

Now about that book, In Jenny’s words:

‘Would you like some free short fiction? Would you like some free short fiction from a simply stunning selection of new and established authors? With bonus poems and articles and internal artwork? 

Fearless Genre Warriors covers it all – we have horror tales, fantasy tales, SF tales, crime tales, humorous tales, and tales that blend any or all of the above! So whatever your fiction thing is, we’ve got you covered!’

And here are those wonderful contents, feast your eyeballs on this lot and then maybe consider picking up one of the books they came from, or leaving a few words of review. 

Introduction
The Dragon’s Maw – Cheryl Morgan
Palakainen – K. A. Laity
The Band of Straw and Silver – Andrew Reid 
From the Womb of the Land, Our Bones Entwined – AJ Fitzwater 
The Itch of Iron, the Pull of the Moon – Carol Borden 
Tits Up in Wonderland – Chloe Yates 
Fragrance of You – Steven Savile 
Kumiho – V.C. Linde 
The Ballad of Gilrain – Sarah Cawkwell 
The Ballad of Gilrain – lyrics Sarah Cawkwell, music Adam Broadhurst 
Art is War – Alasdair Stuart
The Alternative La Belle Dame Sans Merci – Jan Siegal 
Thandiwe’s Tokoloshe – Nick Wood 
Unravel – Ren Warom 
The Cillini – Tracy Fahey 
Katabasis – K T Davies 
Train Tracks – W. P. Johnson 
Sharkadelic – Ian Whates 
Feeding the Fish – Carol Borden 
Antichristine – James Bennett 
Lucille –  Alec McQuay 
Carlos – K. A. Laity
A Very Modern Monster – Aliya Whiteley 
You Are Old, Lady Vilma – Jan Siegal 
Winter in the Vivarium – Tim Major 
Always a Dancer – Steve Lockley 
The End of the World – Margrét Helgadóttir 
The Holy Hour – C. A. Yates 
In the Mouth of the Beast – Li Huijia 
Kokuri’s Palace – Yukimi Ogawa 
A Change of Heart A Babylon Steel story – Gaie Sebold 
Indiana Jones and the Pyramid of Envy – Alasdair Stuart 

There is also some bonus stuff in the back, talking about the anthologies we put together. 

Out Now: Respectable Horror

Respectable Horror front cover

Respectable Horror front cover

Get your hands on this beauty! Respectable Horror is out in the wilds and ready to be lured to your home. Miss Poppy (our cover model designed by S. L. Johnson) will lead the way to a spectral crew of authors who are just dying to give you spine-tingling chills. This new collection offers names both familiar and new, writers who believe that it’s possible to terrify without more than a few drops of blood. The wind in the trees, the creak in the floor board, an innocent knock on the door: they’ll all take on a more sinister cast as you turn the pages of this book.

Introduction by K. A. Laity
The Estate of Edward Moorehouse by Ian Burdon
The Feet on the Roof by Anjana Basu
Spooky Girl by Maura McHugh
Recovery by H. V. Chao
The Holy Hour by C. A. Yates
Malefactor by Alan C. Moore
A Splash of Crimson by Catherine Lundoff
In These Rooms by Jonathan Oliver
A Framework by Richard Farren Barber
Running a Few Errands by Su Haddrell
Miss Metcalfe by Ivan Kershner
The Little Beast by Octavia Cade
The Well Wisher by Matthew Pegg
Where Daemons Don’t Tread by Suzanne J. Willis
Full Tote Gods by D. C. White
Those Who Can’t by Rosalind Mosis
The Astartic Arcanum by Carol Borden

Description:

Do serial killers, glistening viscera, oceans of gore and sadistic twists make you yawn behind a polite hand? Are you looking for something a little more interesting than a body count? These are tales that astonish and horrify, bring shivers and leave you breathless. You may be too terrified to find out what happens next – but you won’t be able to resist turning the page. We’ll make you keep the lights on. For a very long time.

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Respectable Horror: Ian Burdon

Polin seaside

We’ve got a scintillating new collection of stories coming: Respectable Horror. As you might guess from the title it’s a return to creepy spooky unsettling tales — think Shirley Jackson and M.R. James. Here’s one of our writers telling you about how he came to write his story:

Polin seasideIan Burdon

I used to write.

I used to start things, then abandon them because they were crap. That isn’t false modesty, I still have some of them on floppy disk, or even typewritten with copious Tippex corrections (yes kids, that’s how old I am). I keep meaning to destroy them, but somehow can’t; so sometimes I take them out and read them, and they’re still crap.

Eventually I stopped writing fiction; not for any real reason, just the usual job and family things that took up my time. And I wrote stuff for work, which sublimated the urge to make things up (though I was a civil servant, so…).

I even got published.

Then one day my wife and I were on a remote single-track road in the Highlands, and, as we rounded a blind corner, a spume of characters and ideas blew in through the open car window and into my notebook. I started plotting a novel, somewhat inspired by my first degree (Theology) and Umberto Eco’s Foucault’s Pendulum, but set in Caithness, with characters who might or might not exist, depending on your point of view. I knew two things straight away: I wanted to write that story, and I didn’t have the skills to do it. So I wrote lots of practice pieces to try and develop, sharing my efforts with friends in similar circumstances.

Eventually, after lots of words, and lots of deletions, I produced a couple of scenes that I knew were qualitatively better than previous efforts, and promptly went on holiday.

This time, we were walking on a remote Sutherland beach [photo above!] where I was reminded of Jonathan Miller’s classic 1968 adaptation of Oh, Whistle, And I’ll Come to You, My Lad. Gosh, I thought, we’re walking through the middle of an MR James story. Out came the notebook. Not long after, the first draft of “The Estate of Edward Moorehouse” was complete.

I didn’t write it with publication in mind, and I didn’t expect to write anything in the horror genre, respectable or not; it’s not what I normally read. Authors whom I’d like to emulate in one way or another include Muriel Spark, Edna O’Brien, Dorothy Dunnett, George MacKay Brown, M John Harrison and Christopher Priest.

Since Edward Moorehouse, I’ve completed several stand-alone stories and a 105K word collection of linked short stories—that began when I found myself inadvertently writing a vampire story and knew I didn’t want to write any such thing. I’m currently working on a sequel to that. And I still have that other novel to write, and the one about sex workers in post-war Edinburgh, and by the way did I tell you about the monk who talked to lizards, and the boy who rode trains with his coyote, and…

 

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