Call for Stories: Drag Noir

Photo via Dangerous Minds (click to see original article)

Photo via Dangerous Minds (click to see original article)

“We’re born naked, and the rest is drag.”
RuPaul, Lettin it All Hang Out: An Autobiography

Drag is a broad concept; noir is a fairly narrow one. Drag can be a way of playing with gender or it can be a matter of survival. In the noir world, it can be almost anything: camouflage, deceit, truth — or a skin to be shed at will.

Otto Penzler has always been really strict in his idea of noir:

Look, noir is about losers. The characters in these existential, nihilistic tales are doomed. They may not die, but they probably should, as the life that awaits them is certain to be so ugly, so lost and lonely, that they’d be better off just curling up and getting it over with. And, let’s face it, they deserve it.

Pretty much everyone in a noir story (or film) is driven by greed, lust, jealousy or alienation, a path that inevitably sucks them into a downward spiral from which they cannot escape. They couldn’t find the exit from their personal highway to hell if flashing neon lights pointed to a town named Hope. It is their own lack of morality that blindly drives them to ruin.

I don’t necessarily agree with everything he says, but I think noir ends up being a fairly bleak place — one where any bit of glamour or adopted power can be worth the gamble of discovery. It may even be worth flaunting it.

Can you tell who’s Dressed to Kill?

As RuPaul advises,”When the going gets tough, the tough reinvent.”

That’s what we want for DRAG NOIR: this is a call for stories where glamour meets grit, where everyone’s wearing a disguise (whether they know it or not) and knowing the players takes a lot more than simply reading the score cards. Maybe everyone’s got something to hide, but they’ve got something to reveal, too. Scratch the surface and explore what secrets lie beneath — it’s bound to cost someone…a lot.

Mercedes McCambridge in ‘A Touch of Evil’

 

An anthology is not a democracy; it’s a benevolent dictatorship. All editors have their tastes or quirks: if you want a clue to my sensibilities, check out my extensive bibliography and of course, read Weird Noir and Noir Carnival.

Stories should be:

  • Previously unpublished anywhere
  • Not submitted anywhere else
  • Length 3-8K
  • Formatted: Times New Roman, regular, 12 point; 1″ margins; 1 space after full stop; lines spaced 1.5; use paragraph formatting to indent first line not tabs; no header/footer
  • Identified with a title, your name (and pen name identified as such), working email address on the first page: file name should include your surname & the title
  • Submitted in RTF format via email to katelaity at gmail with your name, the story title and total word count included in the body of the email; make sure the Subject line includes “Submission: Drag Noir” + your name
  • Due by March 20, 2014.

We will ask for world-wide print & ebook rights for a year and pay £10 via Paypal plus a copy of the paperback. The fabulous Stephanie Johnson has been persuaded to create another fabulous cover image! We plan to launch the book in July 2014.

Butler Gender

About K. A. Laity

K. A. Laity is an all-purpose writer, Fulbrighter, uberskiver, medievalist, humourist, flâneuse, techno-shamanka, social media wrangler for Broad Universe and Mavens of Mayhem, as well as Pirate Pub Captain, currently anchored in Dundee, Scotland. Her novels include WHITE RABBIT, OWL STRETCHING, PELZMANTEL, THE MANGROVE LEGACY and the CHASTITY FLAME thriller series. Visit her website to view her voluminous bibliography: http://www.kalaity.com/ K.A Laity is editing the ‘Noir’ anthology series for Fox Spirit

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