The first title in our FoxGloves martial arts range is Neil Adams MBE’s new autobiography ‘A Game of Throws’ available this summer.
This book charts the story of Neil’s career in Judo and life off the mats after his final Olympics. Neil will be commentating on the Judo in this years Olympics and we are delighted to be kicking off the FoxGloves line in this fashion.
The second Elkie Bernstein novel is coming out very shortly and will have a launch in its honour at Edge.Lit in July.
In the mean time here is the cover for A Pack of Lies by Jo Thomas
A Pack of Lies is the second in the series and while it isn’t a requirement to read the first book to follow the story, we would still suggest you do, because it’s superb and they make a gorgeous pair. The artwork is by the fabulous Sarah Anne Langton.
G Clark Hellery’s new YA sci fi / fantasy novel ‘Akane Last of the Orions’ is available now!
When the Shadows arrived on earth, everyone assumed they were another benign alien race looking to live peacefully among us. However, they soon showed there true intentions and now the only person between them and the annihiliation of human race is Akane, one fo the last Orions. On the run from the police and not knowing if she can trust even her oldest friends Akane must uncover the full power of the locket passed down through her family. Will she be in time to save her family and the rest of the human race or will the Shadows drag them all into darkness?
We are looking for reviewers for the book so please contact adele @ foxspirit.co.uk if you are interested.
A little while ago we published the third in J Damask’s ‘Xan Ju’ series ‘Heart of Fire’ with this stunning cover by S.L. Johnson
We are delighted to say that we subesquently obtained the rights for the previous two novels and will be re releasing them shortly and S.L. Johnson has returned to give them a wonderful look as a series!
We love these striking covers with their nod to Warhol and look forward to bringing you the books this spring.
Ren Warom’s utterly exquisite SF novella ‘The Lonely Dark’ explores what happens when two people are sent to the edge of space each one being awake only when the other is sleeping. What is waiting for them in the lonely dark?
‘He chose what he thought was security, imagining he’d sealed her away from hurt. He didn’t know he’d sealed her into it, like a bee in amber.’
Cover art by Daniele Serra
Irenon and the Cerenauts aboard her will be the final hope of thousands of colonists deserted after the failure of the AI deep space programme. The burden falls on Ingmar and Yuri, orphans both, chosen for their ability to cope with isolation and innate mental strength. But how to anticipate what level of strength might be needed when only one creature, the AI Danai, knows what waits for them out there in the darkness? Danger that cannot be seen, quantified, or understood. That will find them in their worst and best memories, the sanctuaries and horrors of their past and, eventually, the corridors of the Irenon herself.
This is where Ingmar will finally understand the last words Danai said to her, a warning: Stay away from the lonely dark.
If you would like to review The Lonely Dark or interview the author please contact adele@ foxspirit.co.uk with details of where you blog. Â In most cases we can only provide pdf or ebook formats.
Ren Warom’s novella The Lonely Dark will be out before Christmas and here is the fabulous cover art by Dani Serra.
The Lonely Dark is an exquisitely written sci fi from an exceptional writer.
‘Irenon and the Cerenauts aboard her will be the final hope of thousands of colonists deserted after the failure of the AI deep space programme. The burden falls on Ingmar and Yuri, orphans both, chosen for their ability to cope with isolation and innate mental strength. But how to anticipate what level of strength might be needed when only one creature, the AI Danai, knows what waits for them out there in the darkness? Danger that cannot be seen, quantified, or understood. That will find them in their worst and best memories, the sanctuaries and horrors of their past and, eventually, the corridors of the Irenon herself.
This is where Ingmar will finally understand the last words Danai said to her, a warning: Stay away from the lonely dark.’
Whatever Lola wants, Lola gets — faboo artist S. L. Johnson tells us how she came up with her latest eye-catching design for the cover of Drag Noir:
When I was asked to create a cover for the “Drag Noir” antho, it was quite a challenge. “Drag” is a full-on gender-bending costumed performance role, meant to be seen and heard, while “noir” is dark and nefarious, and hidden. Resolving these two ideas in visual form led to a lot of dead-end ideas, and my desire to represent both male & female gender conventions in drag further muddied the creative waters. After several false starts, I decided I would take one face and split it down the middle, with the idea of that the face could be seen as the woman or the man in drag. I felt this was the obvious solution, but in such a graphic, flat form, it would work well. It’s shadowy, a la noir, but with bright red half-lips, and a green face that represents the very made-up faces of drag queens, yet could also be corpse-like in the pulpiest way.
It works, for sure!
Be sure to check out Johnson’s other work which runs the gamut from book and CD covers to posters and more! Including her other noir covers for us.
In the run up to the release of Drag Noir, we’re featuring a few spots to drum up the excitement because, well — we’re so excited! Here’s a story from skulk member Graham Wynd to give you a sense of the flavour of the collection. Consider it a “bonus track” for the anthology.
SMALLBANY
by Graham Wynd
Content alerts: salty language, guns, drugs, sexual shenanigans
I desperately turned every door handle along the corridor while swearing a blue streak, trying to figure out where it had all gone wrong. The image of Bomber’s face covered with blood still haunted my vision though I tried to push it aside long enough to think straight.
“We have to seize the means of production,” Bomber had said. I laughed at the memory of his words and gripped the handle of the French horn case even tighter. There had to be a way out of here.
At last a handle moved under my sweaty grip. I pushed through the door. A supply closet: stacks of cocktail napkins, swizzle sticks and whatnot filled the shelves. Dead end, I knew. But maybe I could hide out here while things calmed down.
I threw the case in the corner and shoved a few bigger boxes together to make a leaning tower of booze boxes, then ducked down behind it. I willed my breath to slow down, but the ragged rasp of it continued. The bellows of my lung threatened to give me away if anybody tried the door behind me.
Maybe no one had followed me down the corridor.
Bomber’s gory face swam into view again and I cursed his name. ‘Means of production,’ my aunt Fanny.
Both of them.
“What do you mean, ‘means of production’?” Moaning Murdoch had asked him. He’d had that unfortunate moniker since back in the kiddie days when we were wet enough to let girls drag us to Harry Potter films. No matter that he outgrew the round face, that the big specs were replaced by contacts and Murdoch himself landed a scholarship playing for the Danes as a fullback. He was still Moaning Murdoch.
Bomber smiled in that way he had that suggested he knew the inside track. His smugness had only grown since he switched his major to business. The original plan to be a rapper had been scuppered due to his inherent lack of talent (which we all could have told him before but never mind that, he wasn’t listening).
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