Submission Call – You left your biscuit behind

‘You left your biscuit behind’

Occasionally you hear something said that immediately creates a strong image or feeling. So it was, out for coffee with my parents that the phrase ‘you left your biscuit behind’ conjured for me a sense of crimes interrupted, lives shattered and moments captured. It had the feel of an anthology.

We are looking for ten mash-up crime stories of between 6,000 and 8,000 words to bring to life that feeling.

By mash-up crime we mean that the stories should be primarily in the crime genre, but cross-over with other genres is in fact encouraged, although straight crime is acceptable. The title phrase is not a required feature of the stories, but more of a writing prompt; what story does it bring to mind for you?

bisc

We want original works written for the anthology; we won’t be looking at reprints for this one because of the limit on stories.

There will be a token payment of £15 and a comp copy of the paperback and ebooks.

This is an open call closing on 1st June 2015 and the book will be published in early 2016.

Please send all submissions to submissions@foxspirit.co.uk and title them ‘Biscuit submission’. Please include your name and email at the top of your submission and send it as an attachment, we will not be able to accept submissions in the body of the email.

Please read our submission guidelines for more information on fonts and formats.

This call will be added to our submission page during the next few days and no decisions will be made on submissions until after the closing date. We look forward to reading your interpretation of this one.

 

 

Not The Fox News: Along Came (Back) A Spider

This was not the column we were going to bring you last night. That’s a good thing. Firstly because that column is slightly more timely next month and secondly because it’s been confirmed that Spider-Man is joining the Marvel Cinematic Universe. The geek internet is in the process of melting down. So, this month I’m going to tell you why this is important, what’s going to happen and what the problems could be.

Continue reading “Not The Fox News: Along Came (Back) A Spider”

FoxGloves

A while ago Aunty Fox sat down with MMA coach Nathan Leverton and said ‘what if…’

Well you know how that goes here at Fox Spirit. We now have a new imprint and sister site www.foxglovesmartialarts.com or www.foxsglovesbooks.com focussing on martial arts for MMA. Vulpes will continue to focus on HEMA while FoxGloves will look at the more modern combat sport side of martial arts.

We have an amazing line up of coaches writing manuals and memoirs so please take a moment to check it out.

IMG_95794418453715

Reaching for Stars

It’s already February! How did that happen?

We are in the midst of getting books out, particularly ‘The Stars Seem so Far Away’ the re release of ‘Dreambook’ and ‘Emily Nation’ three very different and very awesome titles to kick off 2015.

FS Star Seem So-Front 180ppi

We also have events to plan. We are going to be very active locally organising live reading sessions and panels. The Skulk will be in force at this years Edge.Lit having a joint event with Boo Books (Working title Fox Boo).

…and in case all that wasn’t enough we will shortly be launching our new Combat Sports imprint FoxGloves which we are aiming to Kickstart this summer.

IMG_95794418453715

Finally, because we never take a breath here in the fox den, we will also be bringing you news of Fennec our childrens imprint soon along with developments under our HEMA idenity Vulpes. It’s a busy time for the whole skulk so please follow us on twitter and facebook and visit the site regularly or even better, sign up for the newsletter so you don’t miss anything.

And while you wait for our new titles, we have plenty to entertain you already out there!

Monday Methods : Chloe Yates

Monday Methods

Chloe Yates

 

  1. Wake Up
  2. Wander around the house in my nightie trying to remember why I’m here.
  3. Existential misery.

    Puss knows existential misery
    Puss knows existential misery
  4. Cup of tea.
  5. Exercise (with varying degrees of success. There’s a lot of sitting)
  6. Wonder about showering. Sit at desk while wondering, check FB, peruse pointless articles, get distracted by a new episode of whatever Real Housewives is running (because I’m shallow), finally reminded to shower by the distinct whiff of me.
  7. Lunch
  8. Cup of tea.
  9. Remove damp towel from still slightly damp body and realise it’s already 2pm and I should have started work hours ago. Also realise that I’m standing in front of the office window and the blinds are not shut. Smile and wave at neighbours, exit office.
  10. Take ages agonising over what to wear for no reason at all other than it being a convenient procrastination opportunity. A writer should never miss one of those.
  11. Decide to buy only black clothes in the future. Think about nice black clothes.
  12. Dress
  13. Cup of tea.
  14. Sit at desk.
  15. Open Word.
  16. Stare at it.
  17. Cup of tea.

And so it goes.

I’ve never really thought about myself as having a “method”. Madness doesn’t count, apparently. There are no particular rituals, no self-flagellation (ok, that one’s a lie), no special foil hat, no Hail Marys and a shot of Tabasco before I hit the word mines. Last night, however, I was chatting to a gentleman who wanted to know about my work. He asked me about my process et cetera, and it occurred to me that I do actually have one… sort of. When I’m writing a short story, the original tale is always completely different to the final product because I rewrite it and rewrite it until it’s done. Sounds basic, I know, but it took me a long time to learn that words are not concrete, plans are not set in stone and clichés can be useful when your brain’s running on slow (like now). Turns out, words are malleable – they serve you the writer, not the other way around. They’re your clay not your boss. Reworking my work (ahem) is my method.

Secondly, no matter how shit bollock crazy a story may be, it’s always based on something concrete, something I’ve researched and used as a jumping off point. No matter how far away from it a story might end up, it’s always inspired by something I’ve found in the “real” world.  Plus, research is another excellent opportunity for procrastination. Brucie bonus.

So that’s my terribly sophisticated method and its revelation has undoubtedly rocked your tits off. Research, write, rewrite, rewrite… Plus yellow legal pads, pencils and a lot of scratching my arse, natch.

Foxy Friday : Kate Jones

Please send your Foxy Friday recommendations to submissions@foxspirit. co.uk, now over to Kate.

For 2015, I’ve resolved to review and recommend more works of fiction with diverse casts which feature issues of diversity as character notes rather than plot points. I want to see these characters starring in gripping stories which don’t necessarily revolve around their experiences of being a person of colour, a non-heterosexual, a transgendered person or someone struggling with illness. For my Foxy Friday, I’ve chosen five works that are gloriously entertaining which also provide a platform for characters who don’t fit in and aren’t necessarily trying to. Here’s my celebration of the misfits, the geeks, the sex workers, the BDSM community, the people of colour, the working classes, the chronically ill, the injured, the disenfranchised women, the old folk and my hope for everyone who may have struggled to find a story with a central protagonist who is just like them.

Fantasy Novel

Kushiel’s Dart by Jacqueline Carey

Give me this over any 50 shades book any day! A wonderful and complicated political intrigue, set in a world where sex work is considered an honourable career choice. So refreshing to read a fantasy book set in a world where women can enjoy power within sex, where their right to say ‘no’ is sacred and their wish to enjoy physical pleasure is not shamed. If you are looking for a book which respects diversity in sexual taste and also tells a compelling story, this one is for you.

Kushiel's_Dart

Short Story

Chivalry by Neil Gaiman

I love old tales and legends, myths that have endured and seeped into our consciousness. In this story, I loved the idea that they are still here, not strange and distant but part of our own small worlds of charity shops, families and daily life. This story reminds me that the fantastical can be part our everyday lives, and that our everyday lives can be improved for their accidental brushes against it. It also reminds me that not all heroines are necessarily young and beautiful, although they may still remember the days when they once were.

Fantasy Novella

Barrayar by Lois McMaster Bujold

#WeNeedDiverseBooks and this one is a great starter! Cordelia Vorkosigan, plunged by marriage into an archaic, socially divided world, struggles to fit into her new home. She faces prejudiced behaviours which are new to her, including sexism, homophobia, institutional class bias, poverty and ableism. With help from a misfit band of social outcasts, Cordelia defies these social rules and restrictions, a course of action which culminates in a covert mission to rescue her infant son during a revolution and change the world for all future generations of Barrayarans.

Barrayar

TV Series

Spaced

Priot to becoming megastars with epic geek credentials, Simon Pegg and Nick Frost starred Spaced. With only two series, each containing six half-hour epsiodes, you could watch the lot in an afternoon. Meet Tim and Daisy, two artistically inclined and utterly hapless twenty-somethings, who along with their diverse cast of friends and acquaintances are trying to avoid growing up. Each episode is a miniture jewel, littered with delicious geeky references to sci-fi, fantasy, horror and all things cult and classic. If you’re a young geek who hasn’t figured out where life is going yet – watch Spaced, and know that you’re not alone.

Film

Attack The Block

Forget the army, forget the police – it’s up to a South London gang of teenage hoods to save their neighbourhood from an alien menace. Clueless but determined, lead by Moses (John Boyega, now confirmed for a lead role in Star Wars VII), the gang aim to defend their territory with a little help from a nurse, a couple of drug dealers and some teenage girls. Attack The Block is a raucous comedy, but also touches on more serious issues, such as racism, crime, child neglect, poverty and distrust of the police, alongside positive ideals such as honour, bravery and loyalty.

attack

 

 

 

 

Not The Fox News: Memeoriam Day 2015

(Supercut by the magnificent David Ehrlich)

It’s Memeoriam Day once again. That day when we take a look at the tired old gags that the internet leant on throughout 2014 and lovingly, reverently, throw them into a hole and cement it shut. This year there are just two entries. That’s for two reasons, they’re two sides of the same coin and secondly because I suspect you all have a good four years of blog posts titled ‘In Which…’ in you.

I am Jack’s resigned acceptance.

Except where these two particular memes are concerned because they can screw right off. Alone they’re annoying and insincere. Together, they speak to a colossal failure at the heart of both male psychology in particular and fandom culture in general that I feel is directly responsible for some of the most horrendous damage of the last few years. The two memes in question?

 

‘That emotional ending was great. But I got something in my eye…’

 

And it’s emotional cousin:

 

‘If you didn’t weep at the first half hour of Up! You have NO SOUL!’

 

They need to go, folks. Today. Here’s why.

 

The ‘Something in my eye’ defense is a sword that cuts deeply and two ways every time it’s used. Firstly, if you’re a guy, every time you say that in public you’re actually saying:

‘This affected me emotionally and I’m so uncomfortable about that I’m attempting to cover it up using humour that, in turn, draws attention to the fact that I’m uncomfortable about it.’

An unwieldy sentence for an uneasy sentiment. It’s a complex one too which says three very different things at once. Firstly, that you’ve been emotionally affected by a Thing, secondly that you’re embarrassed about it and thirdly you really want to be able to admit it to a group of supportive friends but you’re frightened to. Using this isn’t a defense, because it’s a shitty defense. It’s you showing your neck to your friends and hoping they don’t bite it or point and laugh and call you a sissy girly man. Because God forbid a guy, especially a British guy, should dare to respond to anything or anyone with something other than ‘not bad’.

The purpose of art is to communicate and evoke emotion. What the art is doesn’t matter. Whether or not it’s viewed by the general public as worthwhile doesn’t matter. The only thing that does, that makes any piece of art not just worthwhile but whole is this;

Did it affect anyone?

If the answer’s yes, the artist has succeeded. If the answer’s yes, and the person it affected was you, then congratulations you’ve just had a formative experience. The bad news is it might have been painful. The good news is there are thousands more of those in your future and most of them won’t be.

Art sustains us. We complete Art. Bury that beneath waves of stiff upper lipped bullshit or nerdy over articulate pseudo analysis and we bury ourselves.

Don’t do that.

Because if you do, you’re not just hurting yourself, you’re hurting every single one of your friends who use the same defence. You’re not saying ‘You guys cried at that too, right?’, you’re saying ‘YOU cried at that, didn’t you? I DIDN’T.’ So no one blinks, no one admits it and everyone goes around being the same puffed up, chestbeating nerds who secretly just want to be real people who talk about their emotions but know they can’t trust their closest friends to be okay with that.

Business as usual.

 

The other side of the coin is actually more aggressive in some ways. Where the ‘Something in my eye’ defense is a heavily encoded call for acceptance, ‘If you didn’t cry at this you have no soul’ is about as direct and discriminatory a piece of language as you can get. Its saying ‘You’re responding to that wrong’, using culture and our interaction with it not as a universal constant but as a competition.

It’s not a competition. It’s never a competition. It’s like calling something a ‘guilty pleasure’ which barely escaped Memeoriam Day this year. All three of them speak to a fundamental insecurity; the fear that the things we love, or hate, or laugh at won’t be the things other people respond to.

They won’t be.

That’s the point.

We come into every form of media there is alone. We interact with it based on our previous experience and most of the time that interaction doesn’t rise above mild interest. But when it does, that teaches us not just about the art but about ourselves. We join a conversation that started with cave paintings and has gone on for as long as we’ve existed as a species. We owe it to ourselves to join that conversation honestly, and we owe it to everyone coming after us to make it easier to participate.

These memes both get in the way. They both slow down how we grow culturally. So today they both get thrown away.

 

Happy new year, folks. Go forth and engage.

Monday Methods : R.B Harkess

My writing day starts absurdly early, thanks to my partner who I have to taxi down to the train station at the ungodly hour of six in the morning. Having said that, it does mean I am sitting at the

kitchen table, ready to start, by about 6:30. Things tend to go something like this.

Open Mac, log on

Realise I forgot to make tea

Put kettle on

Log back on to Mac

Open Scrivener

Kettle boils, make tea.

Log back on to Mac, open the right scene.

Dry cat off, because it raining and he’s just come in soaking wet and jumped up onto my lap.

Log back onto Mac, compose thoughts, ready fingers above keyboard

Try to stop the cat, who is now hungry, from stomping all over the keyboard

Feed Cat

Log on to Mac — make note to extend the screensaver time-out

Type twenty words

Dry the other cat, who has just come in soaking wet…

not the author's cat
not the author’s cat

And so it goes on for about an hour. Eventually they get bored with harassing me and settle down, and I can finally get around to some real writing.

At the moment, I’m working on the third and final book of the Warrior Stone trilogy (as yet unnamed). I used to say I was more ‘pantser’ than ‘plotter’, but these days I’m not so sure. I start off needing to know all the backstories, what the motivations are, and some fairly detailed notes on any new characters. All of this is done pen on paper, preferably with my special ‘writiing pen’ that my partner gave me about 20 years ago. From that, I go to what I call ‘scenes’; two or three lines, like ‘Somebody tried to kill Claire by….’ or ‘Claire is at the hospital with her parents. Stuart comes in and they…’ (You didn’t actually expect I was going to tell you what happened, did you?)

From there, its time to transcribe everything into Scrivener, and then I start filling in the blanks. In this phase, first draft, I’m doing the equivalent of scribbling in pencil so fast I can hardly make out what I’ve written. This is one of the most wonderful parts of the whole writing process to me. It’s like giving birth to the story; quick and rushed and exciting and at then end of it I know if I’ve got something I can work with.

There are some that say being a plotter takes away the fun of exploring the story as you write it. All I know is that since I started plotting, I’ve finished every novel that made it as far as a list of scenes, and that I have a drawer full of 20-30,000 word false starts I didn’t plan first.

Happy writing

 

Foxy Friday : James Bennett

Our  Foxy recommendations this week are from James Bennett

Book: The Ghost Hunters by Neil Spring

A fictionalised account of the notorious haunting of Borley Rectory. Seances, ghosts, old family secrets, an appearance by Sir Arthur Conan Doyle and a big spooky mansion. This would make a perfect Christmas read. Paranormal activity or clever hoax? The author keeps you guessing right until the end. What’s not to love?

Film: The Desolation of Smaug Extended

Yes, yes, these films are long, but have you seen the extended versions? Jackson shades in a little more of the background and as a result the pace works better. Beorn gets more than a walk on part, the Black River of Mirkwood makes an appearance and there’s a different cut of Gandalf in Dol Guldur. Like Unexpected Journey Extended, it all feels a little less *rushed*. Yes, I know I just wrote that.

smaug

Graphic novel: Locke & Key VI: Alpha & Omega

The concluding part of Joe Hill’s graphic novel series and perhaps his best work to date. In this one, the somewhat complex plot unravels into a gripping finale as the children of Keyhouse face down Dodge and his army of shadows. You’re missing out. Go read.

Comic: Sandman Overture

Confession: I haven’t read this yet. But just look at that cover. A stunning comeback for the Dream King.

sandman

Gadget: Huawei E5372 4G Mobile Wi-Fi

OK, so this isn’t strictly a genre thing. So what? This pocket-sized doohickey  is a portal to other worlds! Get superfast broadband wherever you get a mobile phone signal (including rural Wales) and never curse at second hand signals through dodgy wired access points again. Only £20 a month for 15GB from Three Mobile. How come no one told me about this 2 months ago?