Snippet Sunday : Asian Monsters

Blood Like Water 
by Eve Shi

My friend Budi told me that Pak Eko saw the creature toward midnight. The retiree was watching a dangdut singing competition on TV when a faint thump came from his front porch. The second time he heard the sound, Pak Eko went to wake up his sleeping son. The young man, feeling entitled to a full rest after a day’s work at the sub-district civil office, only grunted.
Armed with a knife, Pak Eko carefully unlatched the front windows. The porch, its tiles dull and cracked under the fifteen-watt lamp bulb, seemed empty. Pak Eko caught a whiff of something rotten, and then it was gone. He was about to close the windows when the creature appeared on the left side of the porch.
Pak Eko’s terrified yell rang out in the cold night. Ten minutes later, his immediate neighbours
arrived at his house in trickles. By then Pak Eko was lying on his bed, eyes closed and taking one slow breath after another. His son, looking mildly embarrassed, sat by the bed and massaged his father’s temples with cajuput oil smeared fingers.
‘It smelled a bit like fish,’ the young man mumbled. ‘Very tall—all my dad could see was
its chest. That’s about it.’
Budi’s uncle had been among the neighbours who gathered outside Pak Eko’s room. Budi passed the story on to me while we were crouching beside a stream, a manila-paper windmill sticking out from its bank. We had been struggling to position the windmill just so, to make the water constantly slap at its sails and rotate them.
‘Sounds like an awesome night,’ I said. Uneven grass separated the stream from the village’s main street, a bumpy, potholed stretch of asphalt. Beyond the street lay fields of unharvested rice, the water glinting with reflections of the five o’clock sun. ‘The kids in my class talked about it all day long.’
‘That creature was a lelepah,’ Budi stated, with the confidence of someone who was well-versed in Central Javanese folktale. As if I, along with the other children in the village, hadn’t absorbed the same stories from our elders. ‘Don’t you agree, Wiya?’
‘Pak Eko must’ve had a pond on his porch, since those creatures only eat fish.’
Budi flapped his hand in a familiar gesture: Clever Wiya, resorting to sarcasm whenever she
can’t come up with a quality response. I briefly considered dunking him into the stream, and
instead kept my thin smile on.
‘Lelepah aren’t even from here,’ I added. ‘They live at Progo River, near Magelang. That’s far to the south.’
‘Maybe one of them got lost. Or, yeah, it could be something else!’
As we continued to fiddle with the windmill, Budi wondered aloud what else the night visitor might have been. A burglar? No, they come in groups and rarely work solo. Pocong, a living corpse? But it wasn’t wrapped from head to toe in a white cloth. Genderuwo, then? No, they usually stalked women and children. And Pak Eko saw no fangs or fur. Finally, Budi concluded that the creature had indeed been a lelepah.

Asian Monsters : Eve Shi

In Which Doors Make A Great Analogy Tool

Eve Shi

In author interviews, one of the most frequent questions I receive is, “What got you interested in writing horror novels?”

Before December 2012, publishing horror novels—as in printed books that are available in Indonesian bookstores—was the furthest thing from my mind. My long fiction gravitates more toward fantasy and adventure. Then I heard that a certain publisher was going to accept horror novels for publication in 2013. For the record, the publisher is widely known for their romance novels, movie tie-ins, and gorgeous covers. I thought, why not? After all, it’s one of my favorite genres. So, during that December, I wrote a horror novel for the first time.

Since the novel is YA, my main concerns were—in no particular order—how to make the story scary, and how to depict relatable and fairly realistic teenage characters. (My own teenage days being a long, long way behind me) K-pop was extremely popular in 2012, so I peppered the story with K-pop references in the hope that it resonates with today’s teens. (Reading the novel, you could probably tell I had a casual interest in Super Junior)

The overall response to the novel seemed quite positive, considering I was an unknown. Since then, I’ve had four more novels published, not all of them of the supernatural bent. Thus, by challenging myself to write something I never had before, I opened a door of opportunity while expanding my writing repertoire.

I peeked through another door in 2015, when I dared myself to submit to paid English-language publications. That part of the publishing world had always seemed vast and intimidating to me (it still does). What’s the worst that can happen? I asked myself. Rejections, right? Okay, and maybe a bit of bruised pride.

vince-eve-shi

Unlike my novels, my short stories for English-language publications are based on local legends. Because why not use the opportunity to introduce Indonesian legends to a wider audience? Different medium, different purposes. For instance, what if those legendary figures are still alive today? What do they do, and do the events that once changed their lives still affect them? Exploring these themes was a new experience for me, and turned out to be a heap of fun.

In short, what got me interested in writing horror novels was an opportunity. Ditto about submitting to English-language publications, since many publications are open to the types of stories I enjoy writing. Walking through these doors has been eye-opening, and I’m ready to search for the next door.