Call for Stories: Drag Noir

Photo via Dangerous Minds (click to see original article)
Photo via Dangerous Minds (click to see original article)

“We’re born naked, and the rest is drag.”
RuPaul, Lettin it All Hang Out: An Autobiography

Drag is a broad concept; noir is a fairly narrow one. Drag can be a way of playing with gender or it can be a matter of survival. In the noir world, it can be almost anything: camouflage, deceit, truth — or a skin to be shed at will.

Otto Penzler has always been really strict in his idea of noir:

Look, noir is about losers. The characters in these existential, nihilistic tales are doomed. They may not die, but they probably should, as the life that awaits them is certain to be so ugly, so lost and lonely, that they’d be better off just curling up and getting it over with. And, let’s face it, they deserve it.

Pretty much everyone in a noir story (or film) is driven by greed, lust, jealousy or alienation, a path that inevitably sucks them into a downward spiral from which they cannot escape. They couldn’t find the exit from their personal highway to hell if flashing neon lights pointed to a town named Hope. It is their own lack of morality that blindly drives them to ruin.

I don’t necessarily agree with everything he says, but I think noir ends up being a fairly bleak place — one where any bit of glamour or adopted power can be worth the gamble of discovery. It may even be worth flaunting it.

Can you tell who’s Dressed to Kill?

As RuPaul advises,”When the going gets tough, the tough reinvent.”

That’s what we want for DRAG NOIR: this is a call for stories where glamour meets grit, where everyone’s wearing a disguise (whether they know it or not) and knowing the players takes a lot more than simply reading the score cards. Maybe everyone’s got something to hide, but they’ve got something to reveal, too. Scratch the surface and explore what secrets lie beneath — it’s bound to cost someone…a lot.

Mercedes McCambridge in ‘A Touch of Evil’

 

An anthology is not a democracy; it’s a benevolent dictatorship. All editors have their tastes or quirks: if you want a clue to my sensibilities, check out my extensive bibliography and of course, read Weird Noir and Noir Carnival.

Stories should be:

  • Previously unpublished anywhere
  • Not submitted anywhere else
  • Length 3-8K
  • Formatted: Times New Roman, regular, 12 point; 1″ margins; 1 space after full stop; lines spaced 1.5; use paragraph formatting to indent first line not tabs; no header/footer
  • Identified with a title, your name (and pen name identified as such), working email address on the first page: file name should include your surname & the title
  • Submitted in RTF format via email to katelaity at gmail with your name, the story title and total word count included in the body of the email; make sure the Subject line includes “Submission: Drag Noir” + your name
  • Due by March 20, 2014.

We will ask for world-wide print & ebook rights for a year and pay £10 via Paypal plus a copy of the paperback. The fabulous Stephanie Johnson has been persuaded to create another fabulous cover image! We plan to launch the book in July 2014.

Butler Gender

Cover Reveal: Extricate by Graham Wynd

extricate ebook 72ppi

Va-va-va-voom! Here’s the fabulous cover art for the forthcoming noir novella by Graham Wynd, Extricate. Isn’t that Sarah Anne Langton something? I hear the author has been inspired to get right to work on a new novella just to get another gorgeous cover! I’m not saying you can tell everything about a publisher by the great cover artists they pull, but you can sure tell a lot!

‘EXTRICATE is a twisty- turny noir tale of dishonor amongst thieves that is skewered with hot lust and cold blooded murder.’

~ Paul D. Brazill, author of Guns Of Brixton and Gumshoe

‘Crime meets erotica in a fevered novella. Graham Wynd has written a fluid and tight story with vivid characters in situations that are inextricably charged with a sexuality from which you will find it hard to extricate yourself.’

~ Richard Godwin, author of One Lost Summer, Apostle Rising and Mr Glamour

Extricate will be out early in 2014.

Shapeshifters, Sword Play and Industrial Horror

Nearly at the end of November and Fox and Fae just has a couple more minor processes to go through before we get it out to you at long last.

In the mean time the Second Fox Pocket ‘Shapeshifter’ has been released. It’s a dark little volume full of grim twisty tales. Grab it now at lulu!

FS Shapeshifters3 72

 

We’ve also released our first Vulpes publication, ‘The Lost Second Book of Giganti’ which is available from amazon for an absolute bargain price. There are also a few of the hand leather bound limited editions available over at Spacewitch. We will be able to show you the gorgeous cover going on those very soon.

giganti final cover

 

 

We also wanted to draw attention to a submission call over at Spectral Press. Spectral create gorgeous books that are a joy to own and read and we thought this one might be right up your street as writers and readers. After all, who can resist Industrial Horror!

‘You know how chance remarks made by someone often spark off ideas? This is just such a case. Over the weekend, horror writer extraordinaire Adam Nevill posited the idea of industrial horror, which set off a chain-reaction in the sparking brain matter of Simon Marshall-Jones and, after his twitching, writhing body had stilled, he proclaimed that he was going to put together and publish an anthology of such stories. ‘ Read more over at the Spectral site.

spectral-logo-23

 

Not The Fox News: World FantasyCon 2013

As my friend Saxon Bullock says, always open on a song. This played in my head for four straight days in Brighton and Hugh Laurie in spats became my unofficial spirit animal. That combination of jovial, charming and slightly intense served me very well during my Redcoat week.

The problem is, conventions are impossible to write about. They’re the ultimate embodiment of the ‘come in alone’ response to media, with everyone’s experiences being different, often contradictory to, but never less valid than, everyone else’s.

World Fantasycon 2013 is a perfect example of this. Go take a look at the numerous blogs that have been published about the con and you’ll see that first hand. From parades of photos of the same people who took photos together last year to detailed breakdowns of why the con’s programming was great/awful/indifferent/delete as applicable, there’s two things these blogs all agree on; their authors were present.

So was I. Here’s my take on it, including special guest starts Hugh Laurie, Jan Hammer, Jed Bartlet and Urdnot Wrex.

*

One of my very first experiences on arrival is seeing someone asking a female colleague of mine a question. She answers him and he repeats the question. She answers him again, slightly differently, and he repeats the question. She answers him a third time, and he repeats the question. It’s like she’s speaking Teflon.

She catches my eye and introduces me, the question is asked a fourth time and this time, between the two of us, it sticks. After he’s gone I ask how many times she has to repeat her answers in any given conversation. The average is three

*

I am wearing my jacket for the first time. It’s red and dapper and magnificent. It’s also completely huge, to the point where it’s slightly baggy even on me and I am by far the broadest shouldered, largest Redcoat. Several of my colleagues look like they’re wearing tents. One, Ewa, looks like she’s just stepped out of a particularly great 1980s cyberpunk fashion shoot. We all roll the sleeves up. The concept of Brighton Vice is born and this plays in my head for five straight days.


*

I’m working the reading rooms. It’s a good job, make sure the authors are in place, give them a five minute wrap up signal and hang around if you’re interested. I am, as Guy Adams is reading. Guy is an old friend, a fiercely talented author and a former guide with the same ghost tour my Dad works for. He’s also a former customer, and once memorably pursued an unpleasant card gaming customer out of the store yelling ‘EXCHANGE THOSE CARDS FOR PUBERTY!’

He’s reading a Holmes story and it’s absolutely brilliant. Watson is invited out for dinner by Holmes and a case unfolds across the three courses. It’s smart and funny, a rigidly paced, beautifully designed engine of a story and I almost lose track of time.

But, the 5 minute warning has to be given, and so it is and… Guy keeps going.

Four minutes.

They’re not quite at dessert.

Two minutes.

Almost there.

Forty seconds.

He brings the story in like a Russian gymnast, landing perfectly, precisely on time and with a killer final line. Then looks at me, chuckles and says ‘Blimey that was close.’ Doesn’t matter. It’s an amazing piece and he nailed it.

*

Standing guard at the back of the main hall, during the mass signing, my brain full of bad wiring from earlier. There was a seating plan for the signing but, much like no plan survives contact with the enemy, no seating plan survives contact with authors. So we’ve got people sitting with their mates, sitting with people the same nationality, or who have the same agent, or the same publishing company.  The crowd find their way to who they need, and I stand watch over crates of books and try very hard to not be angry about what I saw earlier today.

*

Terry Pratchett did a one off panel for the con, and Andrew, Pixie and I were the three redcoats asked to help security get him in and out of the building. It was, make no mistake, an honour. My own emotional connection to Pratchett’s work has never been especially high but his intelligence and talent, the endless years he’s put into popularizing and legitimizing multiple genres of fiction, can’t be overstated. He’s a titan. Without him, the current idea of Geek as cultural default, would be a good five years less developed than it is.

But he’s dying and there’s no getting around that and we saw it up close. He’s still him, still vital, still fiercely clever but he’s getting further away. I saw that up close as we walked him in, and out of the con. He’s still working and has a great team of people around him but seeing him as reduced as he is was difficult.

Seeing people choosing not to notice it was worse. On the way out of the con, someone came up and asked for a picture. We said no as he was very tired and had to leave and she smiled, nodded and said ‘Oh I’ll just take it surreptitiously then.’

Just a little photo.

Earlier we’d stood at the back of the con hall waiting for his panel to start. A crowd had formed about twenty feet away, all taking pictures, no one approaching him.

Just a little photo. Nothing much. Don’t engage, don’t ask, just take the shot from a distance.

I left. I left and I came apart at the seams for a minute or two. Lou Morgan, the head Redcoat, put me back together and apologized but she had nothing to apologize for. I got to help get one of the greatest genre writers of the last thirty years in and out of the building. I got to help a man whose work helped me and others. That’s something I cherish, even under the ghoulish elements of the audience, even under the organizational snafus that the redcoats had to both deal with and bear the brunt of.

No, the problem was embodied by a moment I didn’t see. The panel was hijacked by someone who gave Pratchett a Grand Master award from the European Science Fiction Association.  He did this because they’d decided Pratchett needed the award ‘before he died’. His words.

Just a little photo. Just a little plaque. You know, before…

*

Back in the hall,  I am not in the best of moods as I watch people get books signed, it seems, by the yard. I wonder darkly how many are actually being read, how many are treasured possessions and how much of this is just increasing the value of an investment. I’m thirsty, I’m hungry, I’m grumpy. I am, as a friend of mine would say, embracing my Inner Krogan.


On Tuchanka, Slam Poetry involves actual Slamming. Of Rocks. Into Other Poets.

I’m watching a pink book crate wheel up to me. The switch flips, I talk, I’m charming, I’m professional and I can feel every cog turn as I do it. You see, I’m at the back of the hall guarding these crates because we can’t have them on the aisles. Authors can sit where they like but some of these crates and cases are so big it would get ugly. Like, ‘Ben Hur, with sharpened copies of Atlas Shrugged on the hubcaps levels of ugly’. So I guard the book crates and chat to the lady with the pink one. Lucy Coats is completely friendly, completely grateful for me being there and hugely fun to talk to. Slowly, I feel better.  Ashley, a Pseudopod listener asks me to sign her Kindle (I’m on a Kindle! That’s got my book on it! That’s weird and cool!), Joan De La Haye and friends bring me an emergency baklava transfusion and Andrew, Lou, Ewa, Naz and I help bring the event into land.  It’s a bit like crawling from the wreckage, but a win’s a win.

*

I’m late. Lou’s doing a reading and she asked me to introduce her. Part of me, the part that sees fat but not muscle, failure but never success tells me it’s because she knows I had a bad day and wants to throw me a bone. The rest of me politely tells it to get fucked. She asked me because she’s a friend, and I used to be her editor, and it’s awesome and I’m late.

But I have something many people in this hotel do not; a red coat, and the strange architectural wisdoms that come with it. Or, to put it another way, I know where the staff lifts are and they come out right by the reading rooms.

Where I should have been.

Five minutes ago.

Because I’m late.

The lift doors open, I walk out and Martel, who’s running the reading rooms, looks at me and nods and…something odd happens.

This plays in my head.

 

 

The frustration of the last day or so stills and lowers and I know exactly what needs to happen next.

I am going to run for re election. And win.

But first…

I open the door, walk in, start talking as I move. It’s cheap theater but Mick Foley never met a cheap pop he didn’t love. I go up to the stage, explain how I was the editor of Hub and what was bad, and good about that and freelancer life. The good, I say, was most definitely in giving authors like Lou, and Joan De La Haye and Danie Ware, a turn in the spotlight. I’m articulate and funny and I make people smile and I never, ever hesitate or ‘umm’ once.

I finish, take the red jacket off, sit down and watch as one of my dearest friends reads one of the best short stories I’ve heard all year.

*

I sit and watch Joan De La Haye nail a reading from Oasis, and marvel that she’s been able to find something genuinely new to say about zombies.

*

I have a long, two part conversation with Saxon Bullock in which we fill each other in on the various things that have happened in our lives over the last two years, the scars they’ve left and what we’ve learned. Also about Star Wars. And bookshops. And writing.

*

Applauding my friend Nad, who’s Halloween costume (Corpse Bride meets ’50s bopper complete with full facial make up) blows every other costume on Halloween out of the water.

*

I get the most polite trash talk ever from an American author. I walk her to her reading and as we chat, she mentions she lives in the Bay Area. I mention I lived in Fremont in 2012 and she says ‘Never mind dear, I’m sure you had fun when you got to the Bay Area.’

*

I narrowly miss a party and, reveling in my Manx ability to walk along Brighton seafront in a gale and not die, refuse to let myself go back to the hotel room. Instead, I go find a party and, in short order, run into Jayson Utz and Nina Niskanen, both Pseudopod fans. I hang out with them, and spend three very happy hours chatting in the international language of geek.

*

On Sunday we launch Tales of Eve, the new Fox Spirit anthology. I suddenly find myself on the opposite side of tables I’ve been helping run all week. I’m not there as a Redcoat, I’m there as an author.

And people are coming to see me, and the other authors. Several of them are clearly people we don’t know! And they’re giving us money for books!

For close to an hour, we sign books. We shift 27 copies of the anthology, including several author ones. I sign each one with ‘THANK YOU’ and try not to look incredulous.

It’s official. I’m an author now. Which means I maybe need a bibliography…

*

Conventions are impossible to write about. They’re the ultimate embodiment of the ‘come in alone’ response to media, with everyone’s experiences being different, often contradictory to, but never less valid than, everyone else’s.

World Fantasycon 2013 was a perfect example of that and if you want very different perspectives on the convention, check any of the numerous other reports. I’d recommend starting with ALittleBriton not only because her work’s great, it is, but because she’s done a couple of really good round ups of other posts.

For me though, these are the moments, and the people, who mattered.

. So to Lou, Andrew, Ewa, Naz, Jen, Boo,  Joely, Joan, Vinny, Den, Lucy, Jayson, Nina, Ashley, Mhairi,  KT, Moses, Saxon, Emma, James, Guy, Paul , Sullivan and friends, Anne, the unknown techie who I officially became bros with and all the others, thank you.  My red coat is handed in, and I’m back in civilian life.

Until next year….