Drag Noir Archives - Page 2 of 2 -

April 30, 2014April 20, 2016

Drag Noir: Creamy Contents, No Filling!

While the order of stories may be subject to change, here’s the stories you’ll be reading when Drag Noir pops out in a couple months from now with a faboo cover from S. L. Johnson:

The Meaning of Skin – Richard Godwin

Wheel Man – Tess Makovesky

No. 21: Gabriella Merlo – Ben Solomon

Geezer Dyke – Becky Thacker

Lucky in Cards – Jack Bates

Trespassing – Michael S. Chong

Chianti – Selene MacLeod

The Changeling – Tracy Fahey

Straight Baby – Redfern Jon Barrett

Kiki Le Shade – Chloe Yates

Protect Her – Walter Conley

King Bitch – James Bennett

A Bit of a Pickle – Paul D. Brazill

Stainless Steel – Amelia Mangan

The Itch of the Iron, The Pull of the Moon – Carol Borden

We’ve got a whole lot of interesting takes on the theme from folks around the world. I hope you will enjoy — I know I did as I sweated the choices. I was afraid I might not have enough submissions; instead, I had to make tough choices among some fine stories but the ones that made the final selection brought surprises and delights as well as that elusive noir spirit.

Doll yourself up and get ready for this one.

April 20, 2014

Wicked Women and other titles

I’m delighted to announce that something which has been bubbling in the background for a while is now opening to submissions.

Wicked Women

Edited by Jan Edwards and Jenny Barber

‘Regular readers of Fox Spirit books know that women are pretty bad-ass – be they evil queens, goddesses, super-villains or anti-heroes, warriors, monsters, bad girls, rebels, mavericks or quietly defiant – so with that in mind, we’re looking for stories of women who gleefully write their own rules. Women who’ll bend or break the social norms, skate along the edge of the law and generally aim to misbehave.’

Details posted on the Submissions page but please note that submissions go directly to wickedATmajorarcana.demon.co.uk in this instance not the usual address. books (800x600)

‘Drag Noir’ has now closed for submissions and I am looking forward to seeing what K.A.Laity produces from the third in the Noir series of books. Once again we have artist S.L.Johnson working on the cover.

After the reception to Tales of Eve Mhairi Simpson is back on board editing an invitation only follow up ‘Daughters of Eve’ loosely inspired by women of HEMA (historical european martial arts) and the release of The Lost Giganti.

February 26, 2014February 25, 2014

What is Noir?

By Graham Wynd

What is noir? You can Google the term and come up with a bunch of answers, but as librarians will ask you, are you sure you have the right one? I always say I’m a ‘duck test’ sort of person — an out-dated Americanism for recognising ‘communists’ viz. if it walks like a duck, quacks like a duck, it’s probably a duck (though Senator McCarthy might have been wise to have looked into more stringent methods).

Most people who like the genre of noir will point to the films with their bleak cityscapes, inky shadows and sudden gun shots. Ida Lupino and Humphrey Bogart frown with worry, Lauren Bacall and Gloria Grahame show their gams, while Farley Granger looks lost. In novels, Patricia Highsmith’s slippery Tom Rippley worms his way into people’s lives while keeping his intentions hidden, or Dashiell Hammet sends the Continental Op to a seedy location and the blood spills red down the walls.

When I think of ‘noir’ I tend to think of women who don’t see the options and men who make bad choices. The very gendered split of that thought is what led me to thinking about Drag Noir and how people might play with that divide. In the noir world, people invest in the gender divisions because it brings them some certainty in an uncertain and dangerous world.

Buddhists say desire is the beginning of suffering: noir is all about the suffering. And the desire — whether it’s for money or sex or something less certain. Fred MacMurray lusting for Barbara Stanwyck: we know the Double Indemnity story so well. But what about Lily Dillon in Jim Thompson’s The Grifters? Especially as embodied by Anjelica Huston in Frears’ film, she’s hungry and restless as a shark, but nothing really fills it for long. Sometimes there’s a hunger that can’t be fed.

Some folks spend their whole lives trying to keep it
They carry it with them every step that they take

Till one day they just cut it loose
Cut it loose or let it drag ’em down…

Yeah, that’s noir.

Extricate is out now: buy it Amazon.

A writer of bleakly noirish tales with a bit of grim humour, Graham Wynd can be found in Dundee but would prefer you didn’t come looking. An English professor by day, Wynd grinds out darkly noir prose between trips to the local pub.

November 30, 2013November 30, 2013

Call for Stories: Drag Noir

“We’re born naked, and the rest is drag.”
― RuPaul, Lettin it All Hang Out: An Autobiography

Drag is a broad concept; noir is a fairly narrow one. Drag can be a way of playing with gender or it can be a matter of survival. In the noir world, it can be almost anything: camouflage, deceit, truth — or a skin to be shed at will.

Otto Penzler has always been really strict in his idea of noir:

Look, noir is about losers. The characters in these existential, nihilistic tales are doomed. They may not die, but they probably should, as the life that awaits them is certain to be so ugly, so lost and lonely, that they’d be better off just curling up and getting it over with. And, let’s face it, they deserve it.

Pretty much everyone in a noir story (or film) is driven by greed, lust, jealousy or alienation, a path that inevitably sucks them into a downward spiral from which they cannot escape. They couldn’t find the exit from their personal highway to hell if flashing neon lights pointed to a town named Hope. It is their own lack of morality that blindly drives them to ruin.

I don’t necessarily agree with everything he says, but I think noir ends up being a fairly bleak place — one where any bit of glamour or adopted power can be worth the gamble of discovery. It may even be worth flaunting it.

As RuPaul advises,”When the going gets tough, the tough reinvent.”

That’s what we want for DRAG NOIR: this is a call for stories where glamour meets grit, where everyone’s wearing a disguise (whether they know it or not) and knowing the players takes a lot more than simply reading the score cards. Maybe everyone’s got something to hide, but they’ve got something to reveal, too. Scratch the surface and explore what secrets lie beneath — it’s bound to cost someone…a lot.

Mercedes McCambridge in ‘A Touch of Evil’

An anthology is not a democracy; it’s a benevolent dictatorship. All editors have their tastes or quirks: if you want a clue to my sensibilities, check out my extensive bibliography and of course, read Weird Noir and Noir Carnival.

Stories should be:

Previously unpublished anywhere
Not submitted anywhere else
Length 3-8K
Formatted: Times New Roman, regular, 12 point; 1″ margins; 1 space after full stop; lines spaced 1.5; use paragraph formatting to indent first line not tabs; no header/footer
Identified with a title, your name (and pen name identified as such), working email address on the first page: file name should include your surname & the title
Submitted in RTF format via email to katelaity at gmail with your name, the story title and total word count included in the body of the email; make sure the Subject line includes “Submission: Drag Noir” + your name
Due by March 20, 2014.

We will ask for world-wide print & ebook rights for a year and pay £10 via Paypal plus a copy of the paperback. The fabulous Stephanie Johnson has been persuaded to create another fabulous cover image! We plan to launch the book in July 2014.