Things I Learned from Cult TV by N.O.A. Rawle

What I learned from cult TV – A Window on the Weird!

 

I grew up without TV. That is to say the years before I became aware of what effect I could have on the world around me and how I could manipulate it, were TV free. Then in 1977, the most amazing thing happened; the Queen celebrated her Silver Jubilee. Now I’m not especially a royalist it’s just that this meant my parents decided it was time we had a TV.

I was enthralled! All the pictures I had had only in my imagination until then became a monochrome reality; toys could talk and walk, miracles happened and aliens were common place! TV time was warped; unlike my toys, it didn’t wait for me while I went off to eat my tea.

As I cowered behind the sofa peering over my father’s shoulder as the Daleks advanced on Doctor Who, it occurred to me, that there was something bizarre either about me or human nature. My dread was what kept me glued to the screen (one eye at a time). This has to be the essence of speculative fiction: facing one’s fear of unknown possibilities regardless of the consequences!

Then later, as Joanna Lumley strutted her stuff in Sapphire and Steel I discovered that there was a tacit agenda between a man and a woman that was much more exciting than playing house. Zombie mutated form of chase became a favoured game tested on the unwitting boys in the fourth grade of primary school!

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The Whiz Kids let me know that I needed to stick to my guns and not give up, no matter what sort of pickles I got into (and there were many), technology would always be there to back me up. The re-runs of Children of the Stones told me the weird could happen closer to home than I had hoped possible – I lived then not far from Avebury. Robin of Sherwood brought my all-time hero to life and intermingled the legend with the arcane. Blake’s 7 gave me the ever delicious concept of the reluctant hero. Then Sonny Crocket in Miami Vice confirmed my long-held belief that good and bad are not clear-cut issues, no hero is without flaws. It was also on this series that my first stories were loosely based.

So it is not one show but many moulded my impressionable imagination. Cult TV gave me a perspective far broader than my immediate world. The Hollywood camera angles and soundtracks of the American shows gave my visions new depth and scope. The weird creativity of the British ones freed me of my inhibitions and fear that the murky depths of my imagination were something to be ashamed of. All in all, cult TV series taught me that to view the world as the weird and gave me the confidence that the pictures in my head could become one form of reality or another.

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I’ll let Blake’s 7’s Dr Havant have the last word, “Reality is a dangerous concept. Each one of us interprets it in a slightly different way. Every sense impression is filtered by the brain and altered, sometimes just a little, sometimes completely, to fit our individual model of what the world is about. If that model should be challenged…”

Drag Noir: Jack Bates

Cover by S. L. Johnson
Cover by S. L. Johnson

Jack Bates: How I Came to Write LUCKY AT CARDS

Two things happened at once. I saw the call for submissions for Drag Noir in a Short Mystery Fiction Society newsletter and a young lady announced to me that she was transgender. Pretty soon her long, curly blonde locks were gone. She swore off wearing dresses. All she wore was men’s clothing. Sports jerseys, mostly. She asked to be called Paul. It gave her a sense of control. She openly pursued a couple of young women at work. She showed up at a wedding with a very cute young woman. Paul wore a vintage three piece, pin stripe suit. Paul had a black eye. I didn’t ask her about it but I knew I had the start of a story. I have no idea if Paul ever played blackjack in her life or if she even went to any of the Detroit or Windsor casinos.

ThuglitWhat Drag Means to Me

I have a very good friend who operates a very successful stage theater here in Detroit. When we were kids, we did a Saturday Night Live type of variety show at our high school. I wrote sketches that put Joe in drag quite often. He seemed very comfortable in a dress. Now, thirty years later, he’s graced his stage several times in shows like Die, Mommie, Die and Fatal Attraction: A Greek Tragedy where he out Close-s Glenn Close. When I think of drag I think of my good friend Joe and his campy, hilarious performances. He’s so comfortable in that skin you forget he’s Joe and not actually Joan- as in Crawford. I put on a dress and just look ridiculous. Joe comes alive.

DRAG NOIR out now in ebook or paperback!

Stephen Godden

It’s a sad day for the Skulk as I find myself posting to tell you all we lost one of our own. Stephen Godden wasn’t someone I knew well personally, which is a shame. He was a brilliant and unique writer, a pleasure to deal with and unquestionably part of Fox Spirit.

His story Geronimo was one of the three that kickstarted the whole Fox Pockets concept and is available for anyone to read free that doesn’t know his writing yet (you really should). He also appeared in Fox & Fae with ‘They are the dead’ which was another stunning piece of writing. I am proud to have worked with him.

He is such a loss to us, I cannot fathom what a loss he must be to his friends and family.

Stephen will always be a pirate to us here at Fox Spirit, may his spirit sail with fair seas and strong winds.

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Blog post call

This is a call for the Fox Spirit  Skulk. Our writers, editors, reviewers, artists etc. Anyone who has worked with us in any context or has a yes to work with us over the coming programme of work.

We wish to a couple of regular blog series next year. After some discussion on the foxy forum we have settled on ‘Five on Friday’ and ‘Monday Methods’. Depending how many responses we get I would like to do Five on Friday weekly from the Beginning of Jan to the end of Nov 2015 so we can use early December to produce a complete list (it will make sense in a minute I promise). Monday Methods may be more like fortnightly but again, it will depend on the level of response.

Monday Methods – This one is aimed at writers and artists. We would like a short post, a couple of hundred words at least, but no more than 500, preferably with an image or two (your desk space, your favourite mug, the mass of wine bottles waiting to be recycled, a shelf of books or wall of art you gaze at when you should be writing, your whiteboard) about the things that are essential to you in writing. Playlists are always a good addition to this sort of thing too.

Five on Friday – Five recommendations with a short paragraph on each (around 50 – 100 words is ideal) for fans of sci fi, fantasy, horror and crime. They can be fiction or non fiction, they can be books (at least one should be), films, tv shows (a specific episode or one series of a show is better than the whole show, so Star Trek bad, Star Trek the next generation ok, Star Trek  original series, the trouble with tribbles best), music, comics, memorabilia, action figures, tentacle book ends, Dr Who cushions anything you love dearly and think we should all know about. Again, if you can send through images of the items that would be helpful, if not we shall find what we can.

Please send the posts to submissions@foxspirit.co.uk and title it either Method Monday or Five on Friday as appropriate.

There is no remuneration for these blog posts, they are just for fun and to engage with the readers, let them know a bit about who you all are.

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Drag Noir: Chloë Yates

The lovely Paulina Succotash

Kiki and Me
Chloë Yates
One night in the dim and distant long ago, I was working the graveyard shift at that notorious punk drag dive, Axolotl Snot, on the grimy lower east bank of The City. The night outside was cold and inside the clientele wasn’t much warmer. One moment I was wiping down the ever-sticky bar for the hundredth time, the next I was slack jawed with awe as the infamous drag queen Kiki Le Shade sashayed into my world. She was a dame and she had balls. One look into those hypnotically glacial peepers and I was spellbound. She bent me to her will and I thanked her for every displaced vertebrae… At least that’s how I wish it had gone, but I’ve never worked in a bar and I’ve only ever admired drag queens from afar. I have, however, been in love with them since I was a kid.

 

Ideas of gender have always fascinated and appalled me. The way we step into the construct of gender identity at birth and then stick to it as though it’s all perfectly natural and right when it’s clearly absolute bollocks has plagued me my entire life. Arbitrary rules of behaviour and “deportment” (ugh) that depend upon whether or not you have a tallywackle or a witch’s cackle have never made the least bit of sense to me. I never understood why I was supposed to do this or that because I was a “girl” or why my friend couldn’t wear this or act like that because he was a “boy”. I just wanted to do the things I wanted to do because I wanted to do them. I believe that’s how everybody feels, deep down at least, but all too often life teaches us that stepping out from the baaing masses is fraught with castigation and derision – those wicked sharp whip licks of social control. Well, fuck, as they say, that shit.

 

The long and the short of it is I’m a fan of chutzpah, if you’ll allow me the indulgence. Bold, in-your-face, no apologies types are my number one poison, my idols and my role models, and who’s better at in-your-face than drag queens? Undoubtedly I have a romanticised view of them, but it certainly seems to me that drag queens make no apologies. More often than not it is their opportunity to act out, play up and throw their besequinned shit in the face of folks with wild abandon – and they seize it. Drag has never seemed like a mask to me. It is, rather, a medium for liberation. An excuse to be fearlessly bold, a ticket to kick the world in the tits while sticking your tongue out and wiggling your glitter-encrusted arse at it. That beautiful bright light of subversion being thrown so boldly in the face of a generally conservative world that pouts and frowns at “otherness” like we don’t all have secrets, fears, desires and frustrations that torment and thrill us, tickles me in all the best places.

 

Needless to say, I really wanted to write a story for Drag Noir but, after whacking my brain into inanimate object after inanimate object, I was stumped. Not because I couldn’t think of a million and one scenarios, but because I couldn’t think of the right one (some might argue I didn’t do that anyway but they can kiss my big fat bellend). Then I came across the song ‘Let’s Have a Kiki’ by Scissor Sisters. I can’t remember if it was on the telly or if someone posted it on Facebook, but it stuck in my head like only the most vicious of earworms are wont to do. It did the job though, one of those mental switch thingummies. I listened to that fucking song about eight million times while sitting in front of my screen and not once did my fingers stop typing. Kiki was pretty much born in one go, but she felt like she’d always been with me. First came the image of the faded drag queen, a shadow of her former self that long ago night at the Axolotl, sitting in a parking lot on one of those awful white plastic chairs, inches long ash clinging to a still blazing cigarette, lipstick smudged, wig askew. And I wondered what she was waiting for, because she was definitely waiting for something. Turns out, it wasn’t what I expected… which is just how I like it.


Click to buy!

Drag Noir: Paul D. Brazill

Paul DeLiberace Brazill relaxing at home (thanks to S. L. Johnson for the photo)
Paul DeLiberace Brazill relaxing at home (thanks to S. L. Johnson for the photo)

How I Wrote A Bit Of A Pickle for Drag Noir

Paul D. Brazill
It goes like this: A rainy  night in Soho, thrown out of The French House and off to Ronnie Scott’s til dawn. Then a gypsy cab driven by an Islamic fundamentalist over to the East End and a dodgy pub near a meat market.  Go for a slash on in an alleyway near Crucifix Lane and get lost just off Druid Street. Follow a group of old women into a pockmarked terraced house and realise that they’re having a séance. A tall Polish woman with a turban gives me a message from beyond. And that message becomes A Bit Of A Pickle.

Pick up Drag Noir today by clicking on the picture below and get your glad rags on.

Cover by S. L. Johnson
Cover by S. L. Johnson

Things I Learned from Cult TV by Tom Everley

Pagans in Space

 With the success of Guardians of the Galaxy, I can’t start a conversation, walk into a shop, or look on social media without hearing about someone’s fascination for everyone’s favourite tree, the lovable Groot. But it seems a little strange to me that it took an unlikely friendship with a machine gun wielding raccoon for us to notice the importance of nature.

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Let me take you back around fifteen years: I was but a teenage boy, home from school. Homework done, I was finally allowed to watch TV. Most nights, I’d enjoy the animated antics of The Simpsons, but tonight something different was about to happen – something new. I was about to discover for the first time a show that would forever have a place in my heart: The crazy, dark, mind*%@^ of guns, aliens and puppetry that we all know as Farscape.

Now, you’re probably thinking, “But wait! I can see some of the similarities between Guardians and Farscape – the badass human on the other side of the universe, shooting stuff up, the evil empire keeping other races in check, the daring spaceship chases that made me more excited than I’m proud to admit. But Groot? Are you high?”

Well, bear with me. There is a Groot-like character in Farscape that a lot of people (unjustly) tend to forget about – Moya.

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Moya isn’t just a ship; she’s a Leviathan, a living ship. And just like Rocket and Groot, the crew have a symbiotic dependency with her. We hear her scream in battle; we see Pilot double over in physical pain whenever they take a hit; we even see her give birth. I’ll agree, she didn’t any zingy one-liners, but I doubt we’ll be seeing the QE2 with a lifeboat in the oven any time soon (if you know what I mean)!

Farscape, in particular the relationship between Moya and Pilot, taught me an important lesson that I still carry with me. Just because we can’t hear what our environment is saying doesn’t mean it isn’t screaming out in pain. The show taught me that we need to respect our world around us, look after the planet and pay attention to nature. After all, is the Earth not simply our own living spaceship?

By now some of you will have either stopped reading or are rolling your eyes muttering, “Tsk! Bloody bleeding heart liberals! What, would they have us all worshipping moss like some filthy pagans?” Well, let me end with a question: How many times in the five years it was on TV would Farscape have had to include the line, “I am Moya!” before everyone started going all goo-goo eyed and squeeing, “Awww! It’s so cute!”