Waxing Lyrical : A little help from my friends

I didn’t expect to do another of these quite so soon however, I have engaged in a few conversations on Twitter this week that demonstrated a couple of things. The first one is that when everyone is polite and behaves like adults its perfectly possible to discuss emotive subjects without descending into trolling madness. Most importantly though, it highlighted that writers who do not fit the mainstream in their genre in terms of race, colour, geography for example, still feel and almost certainly are disenfranchised. I knew this, of course I don’t technically live under a rock, but sometimes you see several things in a single day and it really drives it home.

You all probably know by now my belief that since the only truly unique thing about a book is the person writing it, the more diversity we have in writers the more richness and variety we have in the writing. Still the market is what it is and many writers are unable to get traction or find suitable markets.

I said on twitter yesterday that as a small indie press in the UK it’s hard to gain traction, we are battling massive amounts of white noise on the internet. There is no shortage of good genre fiction so getting noticed is really hard. Part of how we are tackling that here is through the british league of independent presses. BLIP is an informal facebook group. In our case we chose to focus on small press rather than self pub, because there are certain elements of being a press specifically we wanted to be able to discuss with others in the same boat. It’s a private group so we can speak freely and plan to share launches and tables and information etc. A lot of us go to the same sorts of events and we all have limited budgets, working together just makes sense.

together

Here is the description of BLIP
‘BLIP is a group for small presses in the UK to share information, knowledge, resources and generally help each other out.
We are counting podcasts and ‘zines too. You all get stories out there.’

We don’t allow using it for direct selling or bypassing submissions.

(If you want to join please message with your click so we know the group is the right place for you).

As I said on twitter I would always encourage anyone to start something similar in their area or country or applicable to something specific to them, because while there are loads of writers out there, it’s by its nature an isolating thing and working together can benefit everyone. A group of non UK/US writers might between them actually have a good list of friendly US/UK markets for stories for instance. You can’t do everything alone, it’s too hard and too much and for most people doesn’t work. Find support, as the Prof always says a rising tide floats all boats. Together you can help change the tides in your favour.

Aunty Fox and Friends
Aunty Fox and Friends

There are so many incredible writers out there all over the world, but not everywhere has the level of publishing activity that the UK and US have, not everywhere are writing groups common and local, not everywhere has a massive list of events in different genres for industry and fans. Even here such things are often hard to find until you find the first one (we are bad at promoting the literary I find). Grouping together informally via social media can help you discover more connections, more events, more opportunities and it costs you nothing more than a little time.

Waxing Lyrical : Shark Infested Custard

In this series I want to address in more detail some of the things that I get asked at events and never have time to address as fully as I would wish.

Shark infested custard

Writing/Critiquing Groups

Writing is hard and it’s solitary and people want feedback. Many writers seek out others and form writing groups to provide the essential service of mutual critiquing. There are a lot of benefits to be gained from this but there are a few things that need to be kept in mind to get the most of them.

custard

How experienced are the other writers in your group?
A mix of experience is great, new writers can bring a freshness that is good for everyone, a disregard of protocol that can make you think ‘actually….’ And that is exciting. It’s also useful to have some more seasoned writers, people who have worked on their craft, bought all of the how to books etc. Everyone has something to contribute, no one is 100% right. First and foremost you have to be happy with what you are writing!

Have they successfully sold into any market, be it self pub, traditional or small press?
Again, most writers do lots of writing without actually making a career of it. If you have anyone in your group who has some real experience, especially if they have been through the process of professional editing etc then their view can be really helpful. Remember though, everyone has an individual experience of the process, some good, some bad, some downright ugly. You need to sift the personal from the business side of it, but there is a lot that can be gained. Also keep in mind different types of publishing have different norms. Paid competition to be featured is not at all unusual in poetry, it’s frowned upon in most prose fiction markets. If someone has a heap of experience writing non fic articles they no doubt have useful and applicable experience but there are probably differences to trying to place short stories in a magazine too.

Do they have very obvious preferences and bias in terms of style and content?
As long as they don’t get stuck in ‘I don’t like X genre’ then there is still plenty of useful feedback to be had, but be aware of who is in your group, what their personal writing ticks are. I have a writer friend who used a particular phrase a second time in a book, just to wind me up because I reacted so amusingly the first time.  I as a reader have my own ticks and it’s hard not to bring them to the listening.

lemmings

Are they telling you how they would write the story?
The biggest problem with other writers is that they are writers. It’s very hard for a writer to critique or copy edit without trying to fix. It’s not their story, remember that when you note their comments. ‘I would have x do y thing’ isn’t them telling you how to improve your story, it’s telling you how to write the one they would do. On the other hand, no one knows the difficulty of writing better than another writer and they are likely to have a better eye or ear for things going clunk in your prose than many readers.

Are they hearing your work in small chunks rather than consuming it the way a reader would?
Take feedback in context. If they are hearing the story in chunks they will respond to the chunk, don’t worry overly about feedback on tone etc in terms of the whole story. That’s what beta readers are for and we will cover them another day.

In short, feedback from other writers is fraught with issues and needs to be taken in context. It’s also often invaluable. Get it if you can and work through the murk to find the bits of advice and support worth having.

I would always support joining a writing group, writers spend a lot of time alone with their work and the social element, as well as hearing perspectives from other writers are really valuable assets.

Revisited : Breed by K.T. Davies

I was reading an excellent article on gender and stereotyping in fantasy over at Fantasy Faction and thinking about our books.

K.T. Davies rightly pointed out her lead in Breed has no identifiable gender stated, although interestingly many reviews assign one to the character. I think we do this without even realising. I also think here at Fox Spirit we do pretty well on having varied approaches to our female leads, we’ve even had one who is a fish. In Drag Noir we focussed particularly on gender as a variable scale ecouraging writers to look at and challenge typical gender roles.

In amongst all this it occurred to me that many people who have started enjoying Fox Spirit over the last three years may not have picked up on all the things we have out there. So with our new third year of our existence starting, we are going to revisit our previous releases. Starting topically with Breed.

Breed Final Digital Cover for Upload

‘After Breed, a Guild Blade of small renown, is chased by a dragon, tricked by a demon, almost killed by a psychopathic gang boss and hunted by a ferocious spider-like arrachid assassin life really takes a turn for the worst. Sentenced to five years bonded servitude to a one-handed priest magician, Breed must find the hammer of the ancient hero known only as the Hammer of the North within a year and a day… or else. And so, with only a drug-addicted vagrant, a rat-faced child, and a timid priest for back up, Breed sets out for the mighty city of Valen and the tomb of the Hammer. What could possibly go wrong? I’ll give you a clue. Everything!’

You can read the amazon reviews in full here

‘I can’t recommend Breed enough. It hits the ground running (literally) and drags you happily with it until the end when you start screaming for MORE!’ Amazon reviewer.

The opening paragraphs for your reading pleasure:

Prologue

There’s nothing quite as exhilarating as headlong flight, when fear of the unknown is banished by the sure knowledge that whatever lies ahead cannot be as dreadful as that which is behind. It is liberating, like being a child again. Although, truth be told, as wild as my childhood was, this was the first time I’d ever been chased by a dragon.
Even though my situation was rapidly sliding from dire to fatal, every fibre of my being sang with the sheer joy of being alive. I let out a loud whoop! It was a challenge, an exultation. Not to be outdone, the dragon answered with an ear-splitting roar and spewed a mouthful of frosty bile in my direction. I dodged into a stand of knotted pines. A wash of ice glazed the copse, leaves shattered like glass, trunks and boughs cracked like old bones. I escaped all but the merest lick of cold fire but that slight splash was enough to peel the skin from my shoulder. I stumbled, arms windmilling, feet scrabbling for purchase. The second I regained my balance, I dug my claws into the ground, and propelled myself down the mountain. My thoasan father had blessed me with his race’s superior speed and agility, alas; my human mother had cursed me with the stamina of her breed. The pace was hard and the furious dragon was devouring my lead with every beat of its coriaceous wings.

Please join us next week for another ‘Revisited’ 

 

New Release: Akane

G Clark Hellery’s new YA sci fi / fantasy novel ‘Akane Last of the Orions’ is available now!

Akane cover

When the Shadows arrived on earth, everyone assumed they were another benign alien race looking to live peacefully among us. However, they soon showed there true intentions and now the only person between them and the annihiliation of human race is Akane, one fo the last Orions. On the run from the police and not knowing if she can trust even her oldest friends Akane must uncover the full power of the locket passed down through her family. Will she be in time to save her family and the rest of the human race or will the Shadows drag them all into darkness?

We are looking for reviewers for the book so please contact adele @ foxspirit.co.uk if you are interested.

 

Monday Methods : Kim Bannerman Space

For the return of Monday Methods, Kim is exploring three areas of importance to her over three mondays. First up Space. 

Monday Methods – Space

Writing demands that I seek out a place – a humble spot on the earth – that provides the necessities of creation: a table, a window, and a cup of coffee. This spot can be private, such as my office, or it can be public, such as the cafe down the street. Both have their advantages. But they must have those three items, or writing will fail.

The table is for my computer to sit upon, and the window is for my eyes to gaze outside at the passing world when I stop my incessant typing to think. If I’m writing in a public space that has no window, then my glazed and day dreamy eyes magnetically drift towards another coffee shop patron, and that’s just uncomfortable for both of us.

“I’m sorry, yes, I AM staring at you, but I’m not really LOOKING at you. I’m just imagining ways to kill someone. No, wait! You misunderstand — I’m writing a mystery — oh, please don’t have me kicked out again…”

In a public space, I’d rather watch mountain bikers ride passed on their way to the trails; in my private space, my window looks out over the forest, providing a clear view of an old hemlock tree where a couple of ravens have built a nest.  Private space also provides the helpful access to books aplenty, while public space provides rare moments of chitchat with friends who drift passed. Both of these are benefits. Books are awesome. And socialization, well… it’s helpful to remember that not all of my friends are imaginary.

space

The final piece in the puzzle, coffee, is most important.

If ever I questioned Pavlov’s research, I have only to look as far as my coffee cup to see, the man was on to something. One sip of joe and my imagination is whirled away to far off places, my fingers start to tippy-tap the QWERTY dance, and my characters come to life. I hear them, you know. They wake to the taste of a good dark roast, and start jabbering away in my head. Tea won’t cut it, and neither will hot chocolate – they symbolize other times, other functions. Tea is for family gatherings, hot chocolate is for wintertime, after snowshoeing. Drinking either of these beverages only confuses my subconscious.

Coffee is the starting pistol. Coffee is the clang of the gates opening. Coffee is pure magic.

When it comes to writing, the space I inhabit is the foundation of creativity and can’t be ignored. Over the years, I’ve had four offices and visited hundreds of coffee shops, but I’ve grown to love a few, and sometimes, they even become cherished settings in a story. I’m not picky about which coffee shop I visit, but it must have those three things: table, window, good coffee.

Where do you write? What elements do you need to spark the fire in your head?

 

Thinking of the fox

Every Christmas in lieu of sending cards out to the skulk, here at the fox den we sponsor a fox.

With the re emergence of the hunting ban debate we wanted to take the opportunity to suggest that you consider supporting one of the very worthwhile wildlife charities near you.

IMG_0704

 

All over the world wild things need a little help sometimes and these charities do great work with injured and orphaned animals, getting them healthy and back out into their habitats. We think that’s something everyone can get behind.

We take out our annual fox sponsorship with Wildlife Aid, but I am sure you will find a suitable charity wherever in the world you are if you want to participate.

Foxy thanks you for your support and kindness to wild things.

Events in May

Fox Spirit is helping to organise some local author events.

We have a couple of things happening in the next week or so.

This saturday 16th May at 3:30pm we have a Fox Bites reading hour with five minute readings from

Mayapee Chowdhury, Marianne Whiting, Jay Eales, Selina Lock, Carol Leeming, Hardeep Sangha, Leah Osbourne and Daniel Ribot

At Cafe Malveen (a few doors down from Bar Roma)

We also have a mid week event at Central Library with our friends at Boo Books and a Fox Bites erotica session we have called ‘Love Bites’

fox boo may event

Aunty Fox Patches

They have finally arrived! The 3″ Aunty Fox sew on patches are available for £3 ea inc UK p&p and they look great!

patches

 

All the information for purchasing is on our facebook page and we hope to set something up in the sidebar shortly.

Aunty Fox guest post on The Asian Writer.

You are probably all familiar with the fuss over the Hugo’s and therefore Worldcon. Well I was fortunate to be invited to comment on diversity in SF and the events scene on The Asian Writer and the article went live today.

You all know that diversity in spec fiction is important to me, I’ve posted on it before, but it would be a real shame if we let the puppy contingent be seen as speaking for our community.

diverse

Foxtips session 2

fox icon - test pirate

  • Read the submission guidelines. Carefully. Then follow them.
  • Treat your submission as a CV and your query like a cover letter, this is a professional interaction.
  • No, you are not an exception to the submission rules, no matter how good your book is.
  • If you submit to multiple publishers/agents it is polite to be upfront about it.
  • Be open to the editing process, they are trying to make you look better!
  • Rejection is a fact of life, not a personal attack. Make peace with it.
  • No one likes those auto DM’s asking us to check out your book. We don’t check out your book.
  • If you want to become a writer for the money you should become an accountant.
  • Spellchecker is your friend.
  • Never send your first draft. Rest it a few days and revisit it with a critical eye.