10 Things to do before Committing to a Tattoo

Continuing our ’10 things women really want advice on’ series with another article from Molly Bruton, 10 things to do before Committing to a Tattoo.

10 Things to do before committing to a Tattoo

By Molly Bruton 

Design

Before deciding to even go and look at the tattoo parlour you need to have an idea of what kind of tattoo you want whether this is style or exact design. It is always best to have a couple of images of some other people’s tattoos that may be of a similar style so you can see how it might turn out.

The Tattoo Parlour

You’ve done the research, you’ve looked at their facebook page, you’ve found the parlour for you. Now it’s going and seeing it. Check reviews online to see what the atmosphere is like – you don’t want to go somewhere that you’ll feel uncomfortable as this will make you more tense and therefore will be a less enjoyable experience.

The Artist

You may have found a shop with multiple artists, or you may be going to a shop for a certain artist. If it’s the former, go in and ask who would be best to do your tattoo as some artists are more skilled in some areas such as portraits than others. Always chose the artist best for you.

Talk to them

Discussing your design with the artist is the best way to get what you want and what will look best. These artists have experience in that field and will want to give you the best tattoo they can, therefore if you go in with some pictures of other tattoos similar to what you (stylistically or design wise) you’ll be making it much easier for the artist to get the design right.

Don’t be afraid to speak up

If the artist is changing your design while you’re planning it, don’t be afraid to speak up and tell them that isn’t what you were hoping for. They will listen, take it into account and change it to suit you. This is your tattoo, it will be there for life, you need to love every aspect of it.

Artist Opinion

If you’re unsure of where you want your tattoo, whether you want it in black/grey or colour or anything relating to the design of the tattoo – ask the artist what they think. Although this is your tattoo, these artists know what will look good and what will fit better where and are more than happy to take the time with you to figure these things out.

Time

How long will the tattoo take? The bigger the tattoo the more time it will take – I feel like this is quite obvious, but it’s always better to ask the artist this as you can then plan around it knowing you’ll be busy for that chunk of time. It’s always better to over estimate than under estimate when it comes to tattoo timings.

Cost

Some tattoo parlours charge by the hour, some charge based on design – this is the same with artists. If it is length of time that will be much easier to work out than design. However, if you ask your artist how much it’ll be and get them to give you the largest estimate, you are able to budget for that and take that amount with you.

Aftercare

One of the most important things about a tattoo is the aftercare.  If it’s not cared for properly, or allowed to heal there’s no way the tattoo will stay in good shape or good quality. Ask what aftercare there should be and what products are best for healing a tattoo. Most places have a leaflet or handout that they can give you with everything you need to know.

Stay Calm

One of the main things about getting tattooed is knowing that it will hurt – it’s needles of course there will be pain. However, if you go in relaxed and calm and try not to get yourself worked up before hand about the pain the experience will be much more enjoyable and will end up being much less painful than your mind set it out to be. However, if you are really concerned – talk to your tattoo artist, they might be able to ease your mind a bit.

The main thing when deciding to commit to a tattoo is communication with your tattoo artist, they’re doing the tattoo and will be the best port of call for any of your concerns or queries.

 

Hire Idiots is live!

If you have been following the issues in academia in the US and to some extent the UK, or just like a good murder, Prof Nemo is here to help with ‘Hire Idiots’, which seems to be the rallying cry of academic institutions at the moment. 

Hire Idiots by Professor I.M. Nemo
Cover by Jenny Haines
Edited by Daz Pulsford

‘This is a work of fiction.Any resemblance to the living or the dead is purely coincidental and ought to make you ashamed at the comparison.’

PROMINENT PROFESSOR STABBED TO DEATH AT KINGSLEY COLLEGE!

Unfortunately, the murder may get lost in the confusion of new vice presidents, marketers, focus groups, assessors and protestors as the administration tries to make education profitable. There’s no time for mystery!Professor Clarence Van Dyke finds himself bewildered by the changes, but determined to get to the bottom of the killing. He wants his friend to rest in peace – or perhaps he just wants to spend more time with the attractive Detective Riordan. But isn’t he the primary suspect?

Curious about the Italian writing retreat?

We asked Damien Seaman how he ended up inviting writers to the Italian countryside for some serious writing time in the first place…

How my dark week of the soul could help you fix your crappy novel (no offence)

By writing blogger and hotelier Damien Seaman

If you’re of a literary bent and you’ve ever had the feeling of bashing your head against a brick wall, congratulations. You must have written a novel.

Or attempted to write one, at any rate.

Why do we fools do this to ourselves?

Take my head-bashing story…

Three months, it took me. To struggle through writing the first half of the first draft of what remains my only full-length novel.

And then came my dark night of the soul.

More like a dark week, actually.

A week of crapping my pants

I reached the half-way point of the manuscript and got stuck.

Like, really stuck. Pants-crappingly I’m-a-shit-writer-why-can’t-I-ever-get-one-of-my-stupid-ideas-to-work-out? stuck.

You know.

Stuck.

The ending I’d had in mind just would not work. It refused. Downed tools and went on strike.

Whatever I did to change the perspective, I could not make the events of the book hold together in a way that concluded satisfactorily.

So I took a week off work and wandered around the house. Outside the house, too. Up and down the side of the local canal. Morning, noon and late at night.

This was some serious shit.

I would never make it as a writer. I was kidding myself. I didn’t have the talent. Or the skill. Or whatever.

Whatever a writer needs. I did not have that.

Panic? Yes, you could call it that.

But at the end of my week of furious pacing, I had my ending right in my mind. Somehow. Don’t ask me how, cause I couldn’t tell you.

The threads lead where they ought, though. And at that point, it took only three weeks to write the second half.

That’s the thing with plotting a novel. Devilish difficult, no?

And time-consuming.

I mean, I wasted a whole week of my free time just to wear a hole in my shoes because I was stuck writing a book no one would read.

Not writing, mind you. Just pacing. And thinking.

Talk about mad.

You don’t have to suffer like I did

Well, now that I’m co-running a small hotel in northern Italy, I haven’t forgotten those dark, dark days.

Nor the fact that it had taken me three years of stopping and starting and researching and abandoning book ideas before I’d got far enough into writing one to even have my dark week of the soul.

Three years!

The real madness is that I did not have to go through all of this. There is always a simpler way.

If you have the humility for it.

I’m talking about asking someone else for help.

Another writer or a writing tutor, that is.

I mean, your significant other might be lovely and cuddly and supportive. But what do they know about writing?

Your parents? They’re still mad at you for not becoming a doctor.

And your kids? Please. Those guys are just idiots.

No, let’s be real for a moment…

All work and no play making your novel a dull read?

“I have written two novels to date, one of which I think may have some mileage but with necessary revisions to the plot and central character but not sure how to effect these changes…” one woman from Scotland told me in a recent email.

“…am on my second novel but stuck on it!” wrote another.

Aside from both feeling stuck with their novels, these women have something else in common. 

They’re coming along to our trouble-shooting retreat this October to solve their writing woes. 

Do you feel this way about your current work in progress?

You’re likely too close to it to see the problems. Much less how to solve them.

The good news is that you don’t have to go round in circles. Or start chasing your family with an axe, like Jack Nicholson in that Shining movie…

Instead, creative writing tutor, author and publisher Amanda Saint has crafted this exclusive writing retreat in Italy. To help you…

  • See and solve your story issues
  • Grip your reader and never let go
  • Create characters that leap off the page
  • Develop the right pace for your story
  • Write the very best version of the book that’s inside you

The two women I quoted above will be there to work through the problems with their novels.

They’ll be joined by a half dozen other authors. All of them looking to get that breakthrough in their work. And to get to know other aspiring novelists – just like you. 

If you’re interested, check out the details here: https://albergoleso.com/escape

And, if you’re a Skulk member, you can also get 10% off the price.

(The details for the discount are on the skulk members page)

Damien Seaman is a restaurateur and hotelier in training in the mountains above Verona, where he day dreams of working in a shitty office. He also interviews authors and publishers and puts the results on his blog

 

 

American Monsters Part 2 – TOC

It is time for the big reveal or our penultimate monsters book. It’s been a hell of journey so far and we aren’t letting up!! Keep in mind particularly with the America books, we are dealing with Continents not countries in these volumes. We will close out the series next year with Eurasia. 

American Monsters Part Two – Table of Contents

Fox Spirit Books of Monsters, edited by Margrét Helgadóttir, has dark fiction and art about monsters and dark creatures from around the world, seven volumes between 2014 and 2020. The series is like a grand world tour and we have so far been to Europe, Africa, Asia, the Pacific region, and Central and South America. The series end next year with Eurasia (including Russia, Eastern Europe and the Balkan).

This November we bring you 17 dark tales about scary beasties and Monsters from North America, including Canada, USA, Mexico and the Caribbean Islands.

TABLE OF CONTENTS:

Cory Doctorow: Return to Pleasure Island
Kelly Sandoval: It’ll Be Fine
R.S.A. Garcia: Douen Mother
Ernest Hogan: Cuca
Anne Michaud: The River Song
Tobias S. Buckell: Trinkets
Pepe Rojo: On Desire and its Cure
Catherine Lundoff: Hunger
Carmelo Rafala: What Happened to Mrs  Eleonora  Valdemar
Krista Walsh: Not for Amateurs
Tonya Liburd: Mimosa Versus The  Soucouyant
Federico Schaffler: The Fifth Hand of The Ahuizotl
Pedro Cabiya: Lay of The Land, Law of The Land
Charles Payseur: Stitched Together
Mathew Scaletta: The Sound a Raven Makes
Darcie Little Badger: The Whalebone Parrot
Lewis Shiner: Lizard Men of Los Angeles

We will have one translated story in this volume, with translation help from Fabio Fernandes.

Illustrations will be by the artists Kieran Walsh, Lynda Bruce, Soussherpa, S.L. Johnson, Vincent Holland-Keen and Andrea González.

Daniele Serra is once again providing cover art, which we will launch later this autumn.
Margrét Helgadóttir as editor.

New Release! Caleuche

Caleuche by Jonathan Ward,
Cover by Kieran Walsh

Jericho has fallen.

The world lies in ruins: overrun by an endless tide of self-replicating killing machines known as the Bugs. Only a fraction of its population managed to flee the planet aboard whatever ship would carry them, heading for jump points that would take them to new solar systems and, hopefully, to safety.

The last ship to escape from orbit is the passenger vessel Caleuche: populated by a band of traumatised refugees, piloted by the mind of a murder victim. They face a desperate struggle for survival in the pitiless void of space, as fear and mistrust threaten to doom them all.

Yet they may not be alone, out there in the darkness.

Opening Paragraphs:

‘Programmable Construction Drones (PCD), or Bugs as they are more commonly known, are poised to forever change life as we know it. Equipped with cutting-edge nanotechnology, they can carry out almost any task, and are even able to build the tools they need to accomplish their objective.’
…..
‘It is, however, my recommendation that the JCCO retains full control of all PCD-related technology. Although the potential of the Bugs is almost limitless, the extreme care required in their programming coupled with the dangers unfettered nanotech poses means that the oversight of a central authority is required. If Bug technology were to fall into the wrong hands, the possible consequences could be horrific beyond all measure.’

– Excerpts from report submitted to
the Jericho Colonial Control Office, August 23rd, 2145

Sophia:

For an unknowable length of time, Sophia drifted, enveloped by slow, placid dreams of gentle ocean waves and the heat of the sun beating down on a tropical shore. She was filled by a sense of peace so overwhelming that she could feel little else, and didn’t care to: no fears or concerns could break through the tranquillity and intrude into her thoughts. Indeed, she could imagine nothing other than an eternity of relaxation.

 

Get your FCon on!

Just a reminder folks. FantasyCon is on in October in Glasgow. Sadly I can’t be there, but I have no doubt there will be plenty of Skulk around.

FCon, was my first Con as a reviewer, it was the Con were I met a whole bunch of people active running or commenting on book blogs, many of whom are now published authors. It’s where I first met a lot of the people I would come to work with after launching Fox Spirit. Although Edge.Lit is our local family con, FCon is in many ways our true fox spiritual home. I look forward to returning to it properly myself next year. 

If you have never been to a con you should give it a try! I believe there are still tickets available

Eater of Names is Live!!

Cover by Tabatha Stirling

The sequel to Hobgoblin’s Herald is now available in kindle and paperback formats on Amazon worldwide as well as in ebook formats via our own website! We are obviously very excited. If you haven’t read the first book yet, grab it quick and get caught up! 

You can get an idea of what you are in for in Hobgoblin’s Herald from its excellent Goodreads reviews

Eater of Names

Time is the Death of Heroes. Time is the Eater of Names.The old knight is lost.Sir Aethed, disguised as a merchant’s bodyguard, travels the world seeking to reunite his crusading king Aaren with the mythical blade Moontalon, so that the crusader king might turn the tide against Ivak Mornscour and save Guien from his horde of travesties.But stranded on the frozen, windswept tundra of Ashebos, Aethed must face child-eating demons and mammoth gods, with the unwelcome aird of a wretched band of hobgoblins and the strange, savage girl who serves as their herald.

Bantz With The Foxes 1 – How Brainstorming Happens

From the pen of K.A. Laity the genius behind Con-Eire comes the first in a series of uncannily accurate short audio pieces by your very own Aunty and Mr Fox. 

Some of you actually asked for this, I hope you are ashamed of yourselves! 

Enjoy… and do check out the rest of the youtube channel where these will be going up along with other bits n bobs.

 

Girls And Aliens by Anne Michaud – Available Now

We are delighted to announce the launch of the first book in Anne Michaud’s trio of collections that put girls and women at the fore of their own stories. 

In the first volume our heroines find themselves face to face with alien forces.

Five Girls, Five Aliens. Five Tales of courage and outer space. In this collection by Anne Michaud the lesson is clear, never underestimate the power and resolve of ordinary women in extraordinary circumstances. 
 
‘Anne Michaud’s writing is haunting, powerful and often beautiful’ – Amanda Rutter
 
Contents:
Fix Six
Stardust Motel
Battlefield Lost
Snakes and Ladders
Mercy’s Morgue
 

Stories by Anne Michaud
Cover by Daniele Serra
Edited by Amanda Rutter
Formatted by HandEbooks
Cover layout by Vincent Holland-Keen

You can find the paperback and ebook on Amazon worldwide and the ebook in mobi and epub on our own estore.

Amazon UK Paperback

Reviews are always appreciated, even if it’s just a couple of lines.

Secret Identities : The Many Faces of a Chinese Woman in Publishing.

by Xueting Christine Ni

Let me tell you a secret.

I lead a double life.

By day, I work at one of the UK’s largest publishing houses, producing illustrated novelty books, helping to develop them from concepts to finished products, negotiating with suppliers and collaborating with sales teams and creative professionals to ensure the books are to spec, within budget, manufactured correctly and delivered on time across the globe.

By night, I am China Woman, delivering talks, articles, books and translations to further the understanding of China, protect Chinese Culture from misrepresentation, fighting Sinophobia and stereotyping wherever I go.

Lately, I am finding that in order to rise up and respond to the challenges posed by the current politics of fear, my two roles are coming into contact and beginning to clash…

For nearly a decade and a half, my day job has afforded me little to no opportunities to interact my heritage. Day in day out, I am finding China being confused with Japan or Korea, where my culture deliberately avoided or ignored, by colleagues who wish to gush about their adopted pet Asian country, or by senior management who would resort to Google Translate, Wikipedia and other great lengths to hide their ignorance, rather than consult a native resource within their workforce, even as the majority of suppliers we use across the industry shifts to my homeland. When I start talking about Chinese culture, magically, the whole office becomes an expert on the subject, and whilst the mainly middleclass office takes great pains to be considerate of minorities, from queerness to religion, to gluten intolerance, derogatory insinuations to the Yellow Race as well as the belief that “made in china” may as well continue “..out of radioactive third rate plastic” persist.

I have generally responded to these by keeping my head down, and turning them into fuel for my Chinese culture work when I get home.

I could be kind, if I were inclined to, and say that China doesn’t do a lot to promote its cultural highlights. My social circles have consisted of largely occidental geeks and Japanophiles, the UK geek convention scene has heavily promoted Japan, and despite my efforts to make these gatherings into Pan-Asian culture festivals. Even the BBCs (British Born Chinese), have exhibited an aversion when it comes to their heritage, preferring anime style avatars, Japanese net names and turning up to events in kimonos and Gothic Lolita dresses. At the same time, my friends who’ve come over from Mainland China, have tended towards Anglophilia, desperate to fit in and sublimating their native culture to do so. This self-loathing by the Chinese was something I saw very visibly in the 1990s and early 2000s, and was one of the factors that motivated me in my work to make traditional Chinese culture accessible, as well as showcase the fantastic range of nascent pop culture coming out of a society changing at an astonishing pace.

I could also say, if I felt like being kind, that it’s not as if they have a lot of contact with Chinese colleagues. Like many BAME (Black, Asian and Minority Ethnic), I had to jump over the hurdle of Family. For Chinese parents, the only jobs one should even consider going into are Banking, Finance and “The Professions”. At gatherings of my family and their friends, you could be assured of bankers to recommend investments, stock brokers who’d try and double it for you, doctors who could write out a handy little prescriptions for pick-me-ups to help them through 20-hour work days, and friendly lawyers who’d get you acquitted if those pills caused someone’s heart to explode. It was a respectable cabal of the soulless, and whilst they may all take day trips out to country houses, none of them seemed interested in the great tradition and culture behind these, a tradition that produced the likes of Brontes, Gaskell, Collins and Foster.

These were the writers who accompanied me through my adolescence. My love of literature was dismissed as ‘a hobby’, until I told my parents I wanted to decline my UCAS offers in Economics, to study English Literature, and study that at university. It was half a year before my mother spoke to me again, despite living in the same house, and I took a part time job to pay for my college fees (something absolutely unheard of in my family social circle). English literature is one of the most popular arts and humanities degree in the country, and Publishing, the most common career of choice for graduates of this subject, yet for me, they were hard won life choices.

Even when we make that leap into the industry, it’s often just the beginning of the battle for BAME. Like everyone who loves literature, I thought I would be working up through the various iterations of editorial assistance, to become an editor. Soon after I had landed my first job at a major publishing group, I was already getting commissions for fiction translation in my “vigilante” capacity, so I felt assured of my dreams.

When an internal vacancy came up, I leapt at the opportunity, and was not at all surprised when I was asked in for an interview.  Little did I know though, that the interview would be one of the shortest I’d ever had; how all the literary talent and organizational know-how with which I was going to impress my interviewer, would remain unsaid, and that the first question I was asked, “is English your first language?”, would in their minds, bar me from that whole side of the industry. The dejection I felt at this off-hand rejection was light compared to the years of self-doubt that followed, exacerbating the fractured sense of identity I’d already been struggling with, and the thought that maybe my parents had been right, and all we were good for was statistics and money. It has been a long battle, and I now have a string of successes and milestones I can use to remind myself that in fact, I’m damn good at this, and in many cases, maybe down to the effort I have had to spend to achieve these skills, far better than a native speaker who has had the English language handed to them on a plate.

I would like to say my work as “China Woman” has been plain sailing, but alas, nothing worthwhile is ever easy.  Even though I was moved to the UK just before my teens, I had always kept myself aware of what was happening in China. Not just the news, but what my friends were spending their pocket money on, or watching on TV. As a grown-up I was lucky enough to return, and study my home country’s literature and culture in more depth, reconnect with old friends, and make plenty of new acquaintances. When I came back to the UK at the end of the 2000s, I fully launched myself into my Chinese culture work, relying on an unique insight that comes from total immersion in both China and Britain, combined with incisive abilities in cultural and literary analysis, and a passion for research, and most importantly, a desire to bring the best of China out and put it on display for my second home country. Yet I found myself competing against the confident, authoritative voices of white academics, who dominate China-related media circles in the West, and my work being used wholesale and uncredited on several occasions. It was grating to find these people, who had never set foot on anything but a main street, and whose Mandarin did not extend past “Wo Yao Yi Bei Zhong Bei Na Tie”, appearing on national radio to exploit whichever strain of Sinophobia that was doing the rounds, in order promote their field of expertise or full series on Sky Arts. Some, who quite happily ignored China for decades while they eulogized manga and anime in their book deals and public appearances, are suddenly jumping on the China bandwagon; often with such low levels of knowledge of the country’s history, culture, and outlook, that I’m often surprised they don’t burst into flames when they present themselves as the fount of wisdom for another culture.  

Over a decade of learning, commentary and development would gather some critical mass, against whatever odds. Eight years after my rejection by the editor and several unpleasant incidents at other publishers that happened due to a lack of understanding of minority perspectives, I finally found confidence in being myself, both as a person and as a writer. The growth of internet usage, especially social media, both in China and around the world, have not only widened my audience and readership, but facilitated direct contact with them. My website and my posts are now a lot more visible to festivals, organisations and institutions around the world, who can easily reach out to me for talks, commentary and interviews via email, Twitter, or WeChat. It was thanks to this shrinking of the canyons between creators and publishers that I got my first non-fiction commission from a US publisher a few years ago. Chinese deities was hardly a subject I’d dreamt of writing on, but a hungry female BAME author makes the most every opportunity she is offered, and rather than a book on religion, I moulded my creation into a window into Chinese society and culture.

There has been a positive shift to embrace cultural and ethical change around the world. It has led to multiple campaigns, movements, support groups, and many parts of the media to move from mere tolerance to integration, even to the active embracing of diversity. It’s not all Utopian peace and harmony yet, but the subjects are being broached, and where one organization may still be as white as a roll of Gardapat Bianka, others have been actively redressing the balance and seeking out more representation where it is needed.

It has been my pleasure to be invited to teach Chinese cinema, as part of one of the only Contemporary World Cinema courses in the whole country, and although I had to practically start my own press junket on the UK release of Big Fish & Begonia, cinemas such as The Genesis, are starting to recognize the value of having a bicultural speaker introduce films steeped in Chinese tradition and culture to the British audience, rather than just picking the loudest white hack they could most easily get hold of. It has taken me ten years since my last one to find another suitable opportunity to publish my translations in print, but with this coming collection of Chinese Science Fiction, I hope to help English-language readers discover the fantastic range of genre fiction coming out of China.

China’s economic rise has led to a new-found domestic confidence and prompted many around the world to seek opportunities within the country. Together with the accessibility of online platforms, this has encouraged well-researched, accurate and in-depth reportage of China to the West. We no longer have to view China entirely through the lenses of international and colonial politics that traditional media outlets have tended to adopt, though even these are starting to improve. I have been lucky enough to be invited by the BBC to produce content on Chinese sci-fi cinema following the success of “The Wandering Earth”, and Disney’s upcoming live action “Mulan”.

As China becomes a bigger player on the world stage, fear of it, is, I’m afraid, again on the rise, and with it, a targeted attack of stereotyping and misperceptions of China. It serves certain organisations to present China as a land of mindless automatons flooding the West with cheap goods, a nation that can produce but not create. But even this hideous view is now being overshadowed by more modern Fu-Manchu villainy, depicting the country as a powerful polluter, sinister spy or a monstrous monoculture thirsting for world domination. The super-heroine, China Woman, has her work cut out for her, and the next time someone in the office talks of fake rice and spying cell phones, I might not just bite my tongue.

Visit Xueting Christine Ni’s website