American Monsters – Mariela Pappas

The duality of human nature is one of my favourite topics to write about, that’s why when I was invited to be a part of American Monsters, I immediately though about the lobisón; the Guaraní myth of the seventh male son becoming a wolf when the moon is full.

The word werewolf is often associated with fur, claws and fangs. Monsters howling at the moon. But besides all the horror movies clichés, the myth itself speaks about something else; the horrifying idea that someone you’ve met could turn into someone (or something!) completely different in just a split second. The fear that rationality can evaporate and unleash that inner, wild part of ourselves that we try so hard to control. No matter how civilised, rational and well-adjusted a modern man can be, he is still at the mercy of the moon phases. At the mercy of his own hidden nature.

But who benefits with supressing that wild part of the human soul? Despite some concessions must be made in order to coexist with others in a healthy society, institutions like the Catholic Church have gone too far in what repression concerns.

In my short story The Eyes of a Wolf, an orphan named Estanislao is forcefully adopted by a priest in a middle-of-nowhere town in Entre Rios, Argentina. Even though the boy is doomed to become a werewolf, the priest tries to raise him a good catholic. Just like the Church tries to bury that dark part of ourselves where there is lust and desire. But at the same time, the priest fails to bury his own shameful desires for the boy.

And when another young man named Tobias arrives town and Estanislao falls in love with him, there is simply no way to keep that wild, shadow side of him restrained. Tobias, like the full moon in the werewolf myth, is the trigger for Estanislao to reveal his true nature. Just like in the cheap horror movies I love so much the wolf transformation scene carries broken bones, growing fur and painful changes, confronting your own true self involves pain. And exposing that true self can be even more painful, even dangerous in a society that is becoming more and more conservative and fearful of everything that exceeds the norm. In Estanislao’s case, he has love waiting for him on the other side. The love that accepts us for who we truly are, and knows nothing about race, class or gender.

In times like these, when the Church aligns with the right-wing governments in an alarming manner (especially in Latin America) and true horrors like racism, misogyny and hate crimes against LGBT people flood the news, maybe we should look deeper into our inner wolf. Love and nurture ourselves during our painful transformations, and break free from what is keeping us bound, tamed, afraid. Find in the strength and the passion of our beasts, the freedom to be ourselves. And the courage to fight for that freedom before is taken away from us.

American Monsters – Editors blog

Editing American Monsters
By Margrét Helgadóttir

Five years ago, we demanded that something had to be done. We strongly felt that the monsters of this world are watered down and overused in the popular media and that only a few of them dominate the scene—vampires, werewolves, ghouls, demons, zombies—all from Western popular culture. We wanted to give the monsters a renaissance as real and scary monsters, a comeback so to speak, and we wanted to bring all of the world’s glorious and terrifying creatures out in the open.

On December 24th, Fox Spirit Books released the fifth volume of Fox Spirit Books of Monsters, a seven-volume series with titles published annually from 2014 to 2020. The series is like a grand world tour exploring old myths, folklore and monster tales continent by continent. The genres used span from horror, fantasy, science fiction, post-apocalyptic, YA, crime, and the more literary. The journey started in Europe in 2014 before it continued to Africa, Asia and the Pacific region. This year we stop in Central and South America.

In the latest book we present you tales of beasties and monstrous terror from Brazil, Argentina, Bolivia, Peru, Equador, Uruguay and Guatamala, told by fourteen authors who are either from, have lived in, or have another strong connection to this wide stretching region. This book is the first of two volumes covering the American continent. In American Monsters part two— out in November 2019—we will visit North America including Mexico and the Caribbean.

As editor for these books, it is always very exciting to start researching for a new volume and the most nerve-racking part is when I try to find contributors. I wish to give my thanks to the editors and authors who helped me out with the research and pointed me in direction of other talented authors. I regret to tell you that one challenge turned out to be too difficult to overcome; the search for authors able and willing to contribute from Central America has been extremely difficult. It is thus with sorrow that we can’t give you more stories from authors in Central America. I feel however that we are still bringing you enough stories to give you a small hint about the immense folklore and diversity of monster tales in the southern parts of America.
Language has been a barrier. Some of the authors in Central and South America don’t write fiction or even communicate in English, and I quickly realised that we needed to have several stories translated if I should be able to present this part of the American continent seriously. I am thus very pleased to tell you that we have five translated stories in this volume, four of these are translated (from Spanish) exclusively for this book. Thanks so much for the excellent translations from Fabio Fernandes and Mercedes Guilloux.

It’s been a steep learning curve. This is the first time I have been editing translated stories but even if the process on the translated stories stretched over more time than the other stories, we managed somehow—even though not all the authors communicate in English—to edit and polish these stories too. I have learned very much from this process, something I will use the next time I need translations.

So, language has been a demanding but a fun challenge. In general, I am struck by how language itself reveals an identity in storytelling. There is a certain poetic undercurrent in the voice in many of the stories, both translated and not. The stories feel dark yet oddly personal and honest. Also, I believe that the choice of words and sentence structuring give the tales a peculiar but mesmerising flow—you have no choice but to read them to the end without pause. I have been reflecting on this while editing: maybe it is the identity, the cultural identity of this geographical region that shines through? I don’t know but I hope you will like it as much as I have.

And then it’s the monsters. Humans of all times, regardless of geography, culture or demography, have created stories and myths about beasts and monsters. You can find traces of them in old texts and even in old sea maps. Monster folklore is passed down from generation to generation, and these stories are important in traditions and customs. The tales serve not only as entertainment, but often teach a lesson as well.

Some monsters are universal. You will always find the shape-shifters, the flesh-eating walking dead and the great monsters of the lakes and sea. But what is important to one culture might not be so vital to another.

In the Fox Spirit Books of Monsters I don’t just wish to scare people with monsters they have probably never heard of, but I also want the books to give their readers an insight into the continents we cover. The stories in American Monsters part one are dark and complex, several are a mixture of magic, realism and science. Most of the stories are tales about contemporary life set against a historical blend of the Catholic Church’s influence, indigenous questions, invasion and colonialism, dictatorships, and political struggles. Quite many of the stories tell tales about forbidden taboos or the struggle of minorities, be it indigenous, gender or sexuality.

The monsters portraited is also a complex mix. We have many shapeshifters, more than in previous volumes. There are beasts and spirits too. Then there are the weirder and mysterious creatures and creations, such as light, waves, mountains or even islands—all dark stories that will leave you in utter terror.

I wish to give my thanks to Adele Wearing at Fox Spirit Books and her wonderful crew, and all the artists and authors for making such a lovely book. I hope you will like this volume as much as I have while working on it. There are some monsters here I have truly fallen in love with, they are so hideous and horrible, they don’t sparkle or want to be our friend. They are the truest monsters. Enjoy!

American Monsters Part 1 – Live!

Nope, not a political statement, but we are delighted to announce the first part of American Monsters, covering south and central America, with several stories in translation, is here!

Please don’t be put off by amazon ‘not in stock’ marker, it’s a quirk of using Ingram and the book is available here now.

Here be Monsters!

They lurk and crawl and fly in the shadows of our mind. We know them from ancient legends and tales whispered by the campfire. They hide under the dark bridge, in the deep woods or out on the great plains, in the drizzling rain forest or out on the foggy moor, beneath the surface, under your bed. They don’t sparkle or have any interest in us except to tear us apart. They are the monsters! Forgotten, unknown, misunderstood, overused, watered down. We adore them still. We want to give them a renaissance, to reestablish their dark reputation, to give them a comeback, let the world know of their real terror.

American Monsters pt 1 is the fifth volume in a coffee table book series from Fox Spirit Books with dark fiction and art about monsters from around the world, and the first of two volumes covering the American continent.

“A wonderfully eclectic and compelling monster anthology that offers fresh, and often subversive perspectives on the weird, the dark, and the scary. The stories in American Monsters bristle with fangs and claws, introducing us to creatures that are formidable and terrifying, often ancient, and often dangerously capricious. Prowling the outskirts of society and the fringes of reality, many of these monsters live among the poor and the oppressed, and end up using their otherworldly powers to frighten, devour, or punish the oppressors. This is visceral, gripping, and satisfying horror with monsters that will get under your skin to haunt your dreams and your nightmares.”

Maria Haskins, writer and translator with speculative fiction in numerous anthologies and magazines. Blogs about science fiction and fantasy for Barnes and Noble.

Christmas Countdown Day 14

FOR LOVE OF DISTANT SHORES (Tales of the Apt 3) by Adrian Tchaikovsky

NewCon Press / 274 pgs / £12.99 paperback / ISBN 978-1910935712

Reviewed by Carol Goodwin

This collection of four novella-length stories concerns the adventures of the scientist and explorer, Dr Ludweg Phinagler as recorded by his faithful-ish (!) chronicler and assistant, Fosse. They are set in the world of the Kinden established in the author’s Shadows of the Apt novels, but again other than understanding the central concept of different types of people with abilities related to a particular animal (usually, but not exclusively, insects) no other knowledge of those books is necessary to enjoy these stories.

They are written in a style that is an obvious allusion to late 19th/early 20th century SFF classics and will be recognisable to anyone who has read for instance, Jules Verne or Arthur Conan Doyle. As Doctor Phinagler searches for the elusive archaeological/historical find that will earn him respect from his less colourful academic colleagues, his singlemindedness and unwillingness to acknowledge danger signs leads him and his unfortunate amanuensis into four perilous, thrilling and utterly entertaining adventures – the latter from the reader’s point of view at least! The four novellas all have their own strong individual and often humorous identities and also incorporate the author’s inventiveness in designing new “kinden” based on his love and knowledge of biology

In the first novella, CITIES OF SILVER the intrepid pair find themselves in an underwater dystopia, complete with technologically superior overlords and an oppressed underclass who help the interlopers in their attempts to escape. Anyone who has seen the 1978 film WARLORDS OF ATLANTIS will recognise the plot but it is skilfully reworked and given its own unique flair to make an excellent story that is great fun to read.

The second novella, WRITTEN IN SAND sees the protagonists explore ancient ruins in the desert, rumoured to be protected by shadowy forces. I found myself thinking of this story as “He Who Must be Obeyed” (to misquote from H Rider Haggard’s SHE) crossed with THE MUMMY films.

The third novella, MASTERS OF THE SPIRE is probably my favourite. In this we see the Doctor and Fosse encountering lost tribes in the jungle (as beloved of many earlier writers such as Edgar Rice Burroughs etc) where the story hinges on a very effective use of the particular abilities/biology of the insects that the tribes are based upon (to say more would be a spoiler) and there are some nice macabre scenes and “body horror” in this story which works really well. Add in an Indiana Jones style rival to the Doctor (and potential love interest for Fosse) and I found a lot to like in this story in particular.

The final story, FOR LOVE OF DISTANT SHORES sees the pair embark upon a voyage into uncharted waters. This has three major events including an exciting and gripping battle with a sea-monster (shades of MOBY DICK or JAWS spring to mind) but also tangentially examines some more serious themes such as slavery and the disastrous ramifications of badly handled first contact between indigenous and outsider cultures. For those readers who have read more of the author’s work, this story also links with his Echoes of the Fall series.

As with much of the author’s work, a major strength throughout is in characterisation. The pompous, vainglorious but often charming beetle-kinden, Dr Phinagler and his long-suffering, pragmatic and occasionally manipulative fly-kinden companion, Fosse both have many faults but are also in their own individual ways often admirable as well. The author is clearly relishing the chance to explore aspects of the world on a smaller scale than the grand, world-changing events of the novels. The tone is for the most part much lighter and often tongue in cheek and the prose and comedy are a delight. Like Pratchett, the author excels at the art of effective but affectionate character assassination in a single sentence. Finally, as an unashamed homage to early pulps, a great part of the fun in reading these novellas is in trying to identify and enjoy all the influences and references that have shaped them. An absolute pleasure to read from start to finish! 

Christmas Countdown Day 11

Fave Five Anthologies

Jenny Barber

Anthologies are the best gift a fiction fanatic can receive, so if you’re looking for something a bit special to buy this holiday season, check out some of these and treat your friends, treat your family, and most especially, treat yo’self!

Defying Doomsday, edited by Tsana Dolichva & Holly Kench

Defying Doomsday collects together stories about how to survive in the apocalypse if you’re disabled, chronically ill or neuro-divergent. It addresses questions of what to do when the life saving devices have been shut down and your medication has run out, or how you can turn who you are into an advantage in a destroyed world where everything is so much harder to cope with. It’s a simply stunning anthology with a heavy focus on hope, representation, and how people can come together to survive and thrive, and is most definitely a must read.

Chicks in Chainmail, edited by Esther Friesner

This is one of my foundational anthologies and I will gleefully recommend it to anyone who passes within squee-ing distance.  It’s the first in a series of very feminist, very funny, comic-fantasy anthologies with similarly punny titles, and is positively overflowing with the love of nerdy things.  In this volume, as with the series at large, you’ll find a multitude of stories that wink at how female characters traditionally appear in media-wide SFF, and pushes hard against all the sexist clichés by twisting them around in stories that amuse and amaze. 

And for bonus reading fun, check out the Chicks Ahoy box set that includes Chainmail and the next two Chicks in the series!

The Underwater Ballroom Society, edited by Tiffany Trent & Stephanie Burgis

The Underwater Ballroom Society is a fun, and rather wonderful, anthology inspired by the underwater ballroom at Witley Park in Surrey, and has stories that cover fable and fairytale, murder and mystery, the dark and the weird, and the light hearted and fantastic.  My particular favourite stories are ‘Twelve Sisters’ by Y.S. Lee, Stephanie Burgis’ ‘Spellswept’, ‘The Queen of Life’ by Ysabeau S. Wilce, Patrick Samphire’s ‘A Spy in the Deep’ and Iona Datt Sharma’s ‘Penhallow Amid Passing Things’ but in all honesty, there’s stories to suit all tastes here so add it to Santa’s list!

She Walks in Shadows, edited by Silvia Moreno-Garcia & Paula R. Stiles

For those of you who like horror, particularly of the Lovecraftian variety, you’ll want to get your eyeballs around She Walks in Shadows! Shadows takes the Lovecraftian genre and brings you an illustrated volume brimming over with women and their deliciously dark and dangerous tales.   There are tales of dread and humour, weirdness and grotesqueries, with cosmic horrors and old gods, dark deals, false faces, and the overwhelming sensation that your reality cannot be trusted.  Let these ladies of horror walk you through the shadows!

Glitter and Mayhem, edited by John Klima, Lynne M. Thomas & Michael Damian Thomas

Glitter and Mayhem makes my urban fantasy loving heart explode with glee as I was forged in the fires of the fantastic intruding on real life; and there is much glee to be had in this anthology. There’s also fun with fairytales, interstellar roller derby, myth and magic, dancing with aliens and clubbing with cryptids, glamour and, yes, glitter and mayhem aplenty. As anthologies go, this is just crammed with unrelenting joy and it’s utterly glorious!

Christmas Countdown Day 9

“New Music for Old Rituals” by Tracy Fahey
Review by Penny Jones

To say I was excited to get my hands on my copy of Tracy Fahey’s collection “New Music for Old Rituals” would be an understatement. I was pestering the publisher so I could pre-order my copy from the moment it was announced – and was even able to sneakily get my hands on it, the day before it was officially released – And was it worth the wait? Of course it was.

“New Music for Old Rituals” is primarily a folk horror collection, but it is far more than that. Tracy Fahey takes the legends, rituals and superstitions of her homeland and interweaves them into new tales which reflect the horrors, anxieties and sadness that can plague our modern lives. Each tale is prefixed with a photograph taken by Tracy to reflect the concept of the following story. The photographs have a beautiful haunting imagery, and as all of them have been taken within a thirty minute drive of her home, so they truly reflect the hidden magic which can still be found in Ireland. Following each of her tales is a succinct explanation of the history and mythology which has inspired each tale.

The stories that make up “New Music for Old Rituals” are both beautifully written and varied in style. My own personal favourite “The Changeling” was one of the best short stories I have read this year. The story is quietly unveiled by the elderly narrator, making the ending even more horrific and visceral when revealed. Tracy Fahey is a master at lulling you into a false sense of security before revealing the horror beneath. So much so, that by the end of the book, you’re read the stories as if you are in some kind of uncanny valley, everything looks normal, it all seems fine; but you just know that it isn’t quiet right, that everything is just off kilter.

As well as the stories in “New Music for Old Rituals” being beautiful, the book as a whole is a thing of beauty. Black Shuck Books have managed to impart a feeling that the tales you are reading have been handed to you personally, that the book you hold in your hands, may have been someone’s diary or memoir. The Polaroid snaps (with their curling sellotaped edges) and the careful use of the handwritten and Dymo fonts really adds to the feeling that what you have in your hands is a personal retelling of someone’s life events.

The main warning though that this collection imparts, is that it doesn’t matter who you are, or where you live, the horrors and fears which infect us never change. Humanity fears change, it fears the outsider; and you – whoever you are – will always be an outsider.

Tracy Fahey is an Irish writer of Gothic fiction.  In 2017, her debut collection “The Unheimlich Manoeuvre” was shortlisted for a British Fantasy Award. Two of her short stories were long listed by Ellen Datlow for Honourable Mentions in The Best Horror of the Year Volume 8. She is published in over twenty Irish, US and UK anthologies and her work has been reviewed in the Times Literary Supplement. Her first novel, “The Girl in the Fort”, was released in 2017 by the Fennec imprint of Fox Spirit Books. And her new collection, “New Music for Old Rituals” was released in November 2018 by Black Shuck Books.

 

 

 

December Count Down to Christmas

Books make fantastic gifts, I get Papa Fox one every Christmas, it’s his annual book and he always reads it over the few days of Christmas while he has a few genuinely slow days. 

So with that in mind we are inviting anyone who would like to, to send us a review or a short list of recommendations of books people should be reading and gifting this year. 

There is a £5 payment and posts should come to submissions@foxspirit.co.uk
We will continue to accept new posts until around the 14th. Please include your paypal details. Also, for each post we will put £5 into a pot to go to booktrust.org.uk. That’s £125 if we get a post per day, so please do join in. 

To get things going a few Fox Spirit titles you might want to consider for Christmas gifts and stocking stuffers.

***

The Judgement Call / Along the Long Road 
by Simon Bestwick and Penny Jones
Two short rural horrors playing with the idea of just desserts. A double date goes horribly wrong in Along the Long Road and in The Judgement Call you have to wonder, would the bell toll for you?

Winter Tales
Anthology
A collection of dark stories to keep you under the covers this winter
Edited by Margrét Helgadóttir

Cover by S.L. Johnson

The Monsters Series
Edited by Margrét Helgadóttir

European, African, Asian and Pacific Monsters are all available now, with Pat 1 of American Monsters coming later this month. Collections of short stories and at in a coffee table format. 

Ghoulsome Graveyard
By G Clark Hellery
Something for younger readers from our Fennec line. Spooky adventures.

And if none of those appeal, head over to our buy links to browse a broad selection of genre treats.

Fearless Genre Warriors -FREE!

The fabulous Jenny Barber contacted a whole den full of Skulk and pulled together a collection that spans all the Fox Spirit anthologies and collections published up to 1st November 2018 and what have we gone and done? Made it free!

It is available for under £3 on Amazon (the minimum they would allow), but keep an eye on Twitter and Facebook for the adverts with the passwords in during the run up to Christmas to grab it for nothing in convenient multi format zip files. 

Then just pop to our free fiction page, pop in the relevant password and download. 

If you are heading to Sledge.lit there is a password in the brochures here too. 

Now about that book, In Jenny’s words:

‘Would you like some free short fiction? Would you like some free short fiction from a simply stunning selection of new and established authors? With bonus poems and articles and internal artwork? 

Fearless Genre Warriors covers it all – we have horror tales, fantasy tales, SF tales, crime tales, humorous tales, and tales that blend any or all of the above! So whatever your fiction thing is, we’ve got you covered!’

And here are those wonderful contents, feast your eyeballs on this lot and then maybe consider picking up one of the books they came from, or leaving a few words of review. 

Introduction
The Dragon’s Maw – Cheryl Morgan
Palakainen – K. A. Laity
The Band of Straw and Silver – Andrew Reid 
From the Womb of the Land, Our Bones Entwined – AJ Fitzwater 
The Itch of Iron, the Pull of the Moon – Carol Borden 
Tits Up in Wonderland – Chloe Yates 
Fragrance of You – Steven Savile 
Kumiho – V.C. Linde 
The Ballad of Gilrain – Sarah Cawkwell 
The Ballad of Gilrain – lyrics Sarah Cawkwell, music Adam Broadhurst 
Art is War – Alasdair Stuart
The Alternative La Belle Dame Sans Merci – Jan Siegal 
Thandiwe’s Tokoloshe – Nick Wood 
Unravel – Ren Warom 
The Cillini – Tracy Fahey 
Katabasis – K T Davies 
Train Tracks – W. P. Johnson 
Sharkadelic – Ian Whates 
Feeding the Fish – Carol Borden 
Antichristine – James Bennett 
Lucille –  Alec McQuay 
Carlos – K. A. Laity
A Very Modern Monster – Aliya Whiteley 
You Are Old, Lady Vilma – Jan Siegal 
Winter in the Vivarium – Tim Major 
Always a Dancer – Steve Lockley 
The End of the World – Margrét Helgadóttir 
The Holy Hour – C. A. Yates 
In the Mouth of the Beast – Li Huijia 
Kokuri’s Palace – Yukimi Ogawa 
A Change of Heart A Babylon Steel story – Gaie Sebold 
Indiana Jones and the Pyramid of Envy – Alasdair Stuart 

There is also some bonus stuff in the back, talking about the anthologies we put together. 

Horror Double Feature

Our delightful horror twinset The Judgement Call by Simon Bestwick, a tale to absorb in the run up to Christmas, and Along the Long Road by Penny Jones, are available now for your Halloween delight. No tricks, just dark treats from the British Horror scene.

Penny Jones takes us on a journey of peer pressure and madness on dark country lanes, while Simon Bestwick sees sins answered for. 

Available now on Amazon.

Cover by Neil Williams

 

American Monsters Pt 1 : TOC

TABLE OF CONTENTS – AMERICAN MONSTERS PART ONE
 
Pacific Monsters is presently on the short list for the British Fantasy Society award for Best Anthology. This book has made it to several award shortlists, including the awards Australian Shadows, Sir Julius Vogel, and Aurealis. The lovely people at Sheffield Fantasy and Science Fiction Social also awarded the book Best Anthology and Margrét Helgadóttir was awarded Starburst Magazine’s Brave New Words Award for her editor work on the book. It’s been a good year for monsters.
 
We are pleased to announce that American Monsters volume one is due out this December. American Monsters volume one is the fifth book in our grand world tour exploring monsters tales continent by continent, told by local authors. Margrét is once more the editor. We have split up America in two volumes. In this collection we explore the old myths and monsters in South and Central America, with short stories, graphic stories and art from Brazil, Argentina, Bolivia, Peru, Equador, Uruguay and Guatamala. This book will have five translated stories, something we are very proud of.
 
Our gorgeous cover series by Daniele Serra will continue for this fifth volume. The cover will be released later.
 
Stories from North America (including Mexico and Caribbean) will be out next year before the series end in 2020 with Eurasian monster tales.
 
 
TABLE OF CONTENTS:
  1. Liliana Colanzi: «The Wave»
  2. Santiago Santos: «A Carpet Sewn With Skeletons»
  3. Sabrina Vourvoulias: «Time’s Up, Cerotes»
  4. Ramiro Sanchiz: «The Pearl»
  5. Paula Andrade: «Almamula»
  6. Cesar Alcázar and Eduardo Monteiro (art): «Cerro Bravo» (graphic story)
  7. Christopher Kastensmidt: «A Parlous Battle»
  8. Mariela Pappas: «The Eyes of a Wolf»
  9. Solange Rodriguez Pappe: «The Entangler»
  10. Daniel Salvo: «Jaar, Jaar, Jaar»
  11. Flavia Rizental: «My Name is Iara»
  12. Gustavo Bondoni: «Vulnerable Populations»
  13. Fabio Fernandes: «The Emptiness in the Heart of All Things»
  14. Paula Andrade: «La Perla del Plata» (graphic story)
  15. Teresa Mira de Echeverria: «Lakuma»
 
The book will have illustrations by Paula Andrade, Lynda Bruce, and Kieran Walsh.
 
***
 
The Fox Spirit Books of Monsters is a coffee table book series from Fox Spirit Books, edited by Margrét Helgadóttir. The series has dark fiction from around the world, written by local authors, short stories and graphic stories based on local folklore, legends and myths. Illustrated by local artists.
 
The series has 7 books published between 2014 and 2020, starting with Europe (2014), continuing with Africa (2015), Asia (2016) and Pacific region in 2017. Volume five (2018) and six (2019) will cover South, Central and North America before the series end with Eurasia (including Russia, Eastern Europe and the Balkan) in the end of 2020.