We’ve just ordered the print proofs for Guardians, so it will be coming out very soon. We thought you might like to see the wraparound cover but the Fabulous Sarah Anne Langton, one of this years Inky Tentacle judges for the Kitchies , where in fact the Pocket covers got a special mention due to being ineligible with Sarah judging.
Drag is a broad concept; noir is a fairly narrow one. Drag can be a way of playing with gender or it can be a matter of survival. In the noir world, it can be almost anything: camouflage, deceit, truth — or a skin to be shed at will.
Otto Penzler has always been really strict in his idea of noir:
Look, noir is about losers. The characters in these existential, nihilistic tales are doomed. They may not die, but they probably should, as the life that awaits them is certain to be so ugly, so lost and lonely, that they’d be better off just curling up and getting it over with. And, let’s face it, they deserve it.
Pretty much everyone in a noir story (or film) is driven by greed, lust, jealousy or alienation, a path that inevitably sucks them into a downward spiral from which they cannot escape. They couldn’t find the exit from their personal highway to hell if flashing neon lights pointed to a town named Hope. It is their own lack of morality that blindly drives them to ruin.
I don’t necessarily agree with everything he says, but I think noir ends up being a fairly bleak place — one where any bit of glamour or adopted power can be worth the gamble of discovery. It may even be worth flaunting it.
As RuPaul advises,”When the going gets tough, the tough reinvent.”
That’s what we want for DRAG NOIR: this is a call for stories where glamour meets grit, where everyone’s wearing a disguise (whether they know it or not) and knowing the players takes a lot more than simply reading the score cards. Maybe everyone’s got something to hide, but they’ve got something to reveal, too. Scratch the surface and explore what secrets lie beneath — it’s bound to cost someone…a lot.
An anthology is not a democracy; it’s a benevolent dictatorship. All editors have their tastes or quirks: if you want a clue to my sensibilities, check out my extensive bibliography and of course, read Weird Noir and Noir Carnival.
Stories should be:
- Previously unpublished anywhere
- Not submitted anywhere else
- Length 3-8K
- Formatted: Times New Roman, regular, 12 point; 1″ margins; 1 space after full stop; lines spaced 1.5; use paragraph formatting to indent first line not tabs; no header/footer
- Identified with a title, your name (and pen name identified as such), working email address on the first page: file name should include your surname & the title
- Submitted in RTF format via email to katelaity at gmail with your name, the story title and total word count included in the body of the email; make sure the Subject line includes “Submission: Drag Noir” + your name
- Due by March 20, 2014.
We will ask for world-wide print & ebook rights for a year and pay £10 via Paypal plus a copy of the paperback. The fabulous Stephanie Johnson has been persuaded to create another fabulous cover image! We plan to launch the book in July 2014.
Ok foxy folk we have a new anthology call for Christmas Release.
‘Girl at the End of the World’.
What we want: pre, during, post and not remotely related to apocalyptic stories, in the SF, Fantasy, Horror and Crime genres. Clearly female lead characters who pack a punch. Roughly speaking 5,000-10,000 words per story.
It’ll be £10 token payment, a copy of the finished book and if it clears it’s costs profit share for the first two years sales.
The closing date is 31st August 2013 so we can get it sorted in time for a Christmas release, because nothing says Merry Christmas like the end of the world.
These details will be added to the submissions page, where you can already find details of house style etc for your story submission.
If you’ve submitted in the last week or so to any of our other books I will be updating the tracker soon, sorry for the delay.
Also we are still accepting author posts for the blog.
‘On the gritty backstreets of a crumbling city, tough dames and dangerous men
trade barbs, witticisms and a few gunshots. But there’s a new twist where
urban decay meets the eldritch borders of another world: WEIRD NOIR.
Featuring thugs who sprout claws and fangs, gangsters with tentacles and the
occasional succubus siren. The ambience is pure noir but the characters
aren’t just your average molls and mugs—the vamps might just be vamps. It’s
Patricia Highsmith meets Shirley Jackson or Dashiell Hammett filtered
through H. P. Lovecraft. Mad, bad and truly dangerous to know, but
irresistible all the same.’
K.A.Laity introduces and edits this exciting treat of anthology released on 31st October 2012 by Fox Spirit Books. Happy Halloween
With stories by: Chloë Yates, Richard Godwin, Karina Fabian, Hector Acosta, Jan Kozlowski, Andrez Bergen, Carol Borden, Paul D. Brazill, Jennifer Martin, Katherine Tomlinson, Jason Michel , Asher Wismer, Michael S. Chong, Leeyanne Moore, Christopher L. Irvin, Joyce Chng, W. P. Johnson
For information on this or any or our titles, review copies or interviews with Fox Spirit authors please contact adele @foxspirit.co.uk
Yesterday Fox Spirit sealed the deal on publishing an anthology of Weird Noir edited by K.A. Laity, to come out later this year.
Here is K.A. Laity on the concept
“The ambience is pure noir but the characters aren’t just your average molls and mugs—the vamps might just be vamps. It’s Patricia Highsmith meets Shirley Jackson or Dashiell Hammett filtered through H. P. Lovecraft. Mad, bad and truly dangerous to know, but irresistible all the same.”
This will be an exciting addition to the 2012 publishing schedule and a wonderfully entertaing read. More to come on this soon.
I’m pleased to announce that Fox Spirit will be publishing, toward the end of the year, an anthology edited by Mhairi Simpson.
This is what Mhairi has to say about the anthology:
‘Weird Science, Stepford Wives, that episode of Buffy the Vampire Slayer… Genre fiction abounds with tales of men creating (or attempting to create) the perfect woman.
Now it’s the woman’s turn. But being female, she’s flexible. She doesn’t just want to create the perfect man. She wants the perfect companion, be it man, beast or washing machine.’
I love this concept and am excited to see the results.
‘The Nun & Dragon is an old pub, although not England’s oldest. Still, even before a pub stood there the site seemed to draw travellers who had a tale to tell. It sits in a small English village with one of those odd names like ‘Barton on the Beans’ or ‘Sheepy Magna’, though it isn’t either of those.
It’s not a place you find by looking, it’s a place you stumble across when your armour is scorched and bent or your hair bleached white by an encounter with an unholy order. There is a reason it’s known as ‘The Nun & Dragon’ after all.
It’s a place that draws stories, the kind no one would believe if you told them somewhere else, but here, where the homebrew tastes slightly of honey and cinnamon and the fire is always blazing, people will take you at your word.
If you collected all the stories ever told at The Nun and Dragon you would see all of history and culture from our world and possibly, if the tellers are to be trusted, beyond it, gathered there. ‘
Tales told include almost traditional slayings, things that won’t stay dead, fables, a PI taking a case from a nun with an unusual problem, and nunsploitation. This is a collection of unusual stories, spanning multiple genres and exploring the theme from every angle.
We have cover art by Vincent Holland-Keen and internal illustrations by Kieran Walsh. The list of authors will be announced after submissions close on 1st July.